CHICAGO – Society, or at least certain elements of society, are always looking for scapegoats to hide the sins of themselves and authority. In the so-called “great America” of the 1950s, the scapegoat target was comic books … specifically through a sociological study called “The Seduction of the Innocent.” City Lit Theater Company, in part two of a trilogy on comic culture by Mark Pracht, presents “The Innocence of Seduction … now through October 8th, 2023. For details and tickets, click COMIC BOOK.
Kelli Garner
TV Review: Breezy ‘Pan Am’ Pilot Exudes Promise in Flawed Launch
Submitted by mattmovieman on September 24, 2011 - 2:33pmCHICAGO – Feminism continues to be redefined for a new generation in this season’s slate of TV dramas. While NBC’s “The Playboy Club” makes the age-old error of confusing exploitation with empowerment, ABC’s “Pan Am” argues that flight attendants paved the way for the modern woman.
TV Review: ABC’s ‘My Generation’ Wastes Talented Cast on Cliche
Submitted by BrianTT on September 23, 2010 - 11:28amCHICAGO – The new ABC dramedy “My Generation” is all concept and no execution. Creator Noah Hawley (the vastly-superior “The Unusuals”) came up with an idea and found a talented cast and the creativity died shortly thereafter. The foundation is a clever and inspired one but the writing staff adds nothing more than cliche to it, piling on characters who feel barely two-dimensional and rarely finding a genuine moment in the lackluster and bloated series premiere.
DVD Round Up, Sept. 2, 2009: ‘Boot Camp,’ ‘Red Velvet,’ ‘Homeboy’
Submitted by BrianTT on September 2, 2009 - 11:09pmCHICAGO – Time to catch up with the DVD Round-Up, a collection of titles that may have slipped under your radar while you were busy blogging about Inglourious Basterds” or programming your DVR for the new Fall TV season.
Ang Lee’s ‘Taking Woodstock’ Lays Down Too Mellow a Vibe to Be Memorable
Submitted by BrianTT on August 28, 2009 - 2:26pmCHICAGO – More about the vibe surrounding the three days of peace and love that would become the most influential festival in history than the actual music itself, Ang Lee’s “Taking Woodstock” is a frustrating drama with individual elements that work but a cinematic set list that is ultimately disjointed and unsatisfying.
