CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the streaming series “Emily in Paris” the adventures of Emily Cooper and her fanciful/fashionable Paris friends and lovers, now in its fourth season. Episodes 1-5 currently on Netflix.
Lili Taylor
Film Review: ‘Maze Runner: The Scorch Trials’ is Dystopian Rambling
Submitted by PatrickMcD on September 18, 2015 - 7:53amCHICAGO – Movie pundits are falling all over themselves to point out there is no maze running in “Maze Runner: The Scorch Trials,” so buyer beware! What began in the first film as a new take in the dystopian Young Adult movie genre, has become a scattered, uninteresting mess.
HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Maze Runner: The Scorch Trials’ With Dylan O’Brien
Submitted by HollywoodChicago.com on August 27, 2015 - 2:44pmCHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 40 pairs of advance-screening movie passes up for grabs to the highly anticipated new film “Maze Runner: The Scorch Trials” starring Dylan O’Brien!
Film Review: Effective ‘The Conjuring’ Captures the Sum of All Fears
Submitted by PatrickMcD on July 19, 2013 - 8:02amCHICAGO – True scary movies have a couple of things going for them – the source of the scare and the psychology of the scare. The source provides the “boo,” the audience provides the interactive psychology. “The Conjuring” is a true scary movie.
TV Review: Don’t Visit Eli Roth’s ‘Hemlock Grove’ on Netflix
Submitted by BrianTT on April 18, 2013 - 3:00pmCHICAGO – I was so ready for “Hemlock Grove.” I’ve liked more of Eli Roth’s work in the past than most critics and thought of the creative freedom allowed by a company like Netflix and what that could mean for the horror TV genre. After the home run that was “House of Cards,” could they really go back-to-back?
Film Review: ‘About Cherry’ is Little More Than a Pretty Face
Submitted by BrianTT on October 5, 2012 - 2:16pm![]() Rating: 2.0/5.0 |
CHICAGO – Stephen Elliott’s “About Cherry” takes what could have been an interesting journey into the porn industry and turns it into what is essentially a TV-Movie-of-the-Week without the rating restrictions of the Lifetime Channel. Newcomer Ashley Hinshaw makes an impression and the supporting cast of Elliott’s drama is strong but the film never finds its focus, refusing to get under the beautiful surface of its lead character and present her as anything more than a sexy plot device.
Don Cheadle, Wesley Snipes, Richard Gere Are ‘Brooklyn’s Finest’
Submitted by PatrickMcD on March 5, 2010 - 10:07amCHICAGO – The “thin blue line,’ that imaginary border that separates society between order and chaos, is experienced on a daily basis by the police “force.” The human beings knighted with this responsibility are “Brooklyn’s Finest.”
Interview: Wesley Snipes, Director Antoine Fuqua on ‘Brooklyn’s Finest’
Submitted by PatrickMcD on March 4, 2010 - 4:16pmCHICAGO – Wesley Snipes is a great dresser, among other talents. The coolness and intuitive skills that he had displayed in “Blade,” “White Men Don’t Jump’ and “Passenger 57” is in evidence again with his role of Caz in “Brooklyn’s Finest.”
Video: ‘Public Enemies’ Trailer With Johnny Depp, Christian Bale
Submitted by BrianTT on April 6, 2009 - 9:07amCHICAGO – One of our most highly anticipated films of 2009 has to be Michael Mann’s “Public Enemies” and we just had to share one of the best movie trailers in a long time. The film, a lot of which was shot in Chicago, stars Johnny Depp, Christian Bale, Marion Cotillard, Billy Crudup, Channing Tatum, Leelee Sobieski, Giovanni Ribisi, Emilie de Ravin, and Lili Taylor. The film opens on July 1st, 2009. Not soon enough.
Interview: Director Steve Conrad Elevates Chicago Setting, Sean William Scott in New Comedy ‘The Promotion’
Submitted by HollywoodChicago.com on June 6, 2008 - 8:41pmCHICAGO – Barring extreme wealth or hermetics, everyone uses the grocery store. It is the great equalizer – the marketplace where all socioeconomic groups can co-exist side by side – in pursuit of daily bread. Inspired by this reality, writer and director Steve Conrad turned it into his feature directorial debut.
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