CHICAGO – Excelsior! Comic book legend Stan Lee’s famous exclamation puts a fine point on the third and final play of Mark Pracht’s FOUR COLOR TRILOGY, “The House of Ideas,” presented by and staged at City Lit Theater in Chicago’s Edgewater neighborhood. For tickets/details, click HOUSE OF IDEAS.
Marcus Dunstan
Film Review: ‘The Collection’ Assaults Viewers with Nonsensical Gore
Submitted by BrianTT on November 29, 2012 - 10:36amCHICAGO – “The Collection” is a very, very, very, very bad movie. It is really only watchable because it’s so bad. It’s one of those flicks that encourages talking or tweeting in the theater merely so you can make it enjoyable by laughing at it and not really with it.
Interview: Betsy Russell Completes the Jigsaw Puzzle in ‘Saw 3D’
Submitted by PatrickMcD on October 27, 2010 - 1:18pmCHICAGO – Betsy Russell possibly made one of the greatest feature film debut moments in movie history. In the early VHS and cable days, no one can ever forget her epic horse ride in “Private School.” It’s great to have Betsy back, adding her legacy to the incredibly successful “Saw” horror franchise, this time in “Saw 3D.”
Blu-Ray Review: ‘Saw VI’ Improves the Franchise, But Still Weak
Submitted by BrianTT on February 3, 2010 - 10:06amCHICAGO – “Saw VI” opens with two people in a race to cut off as much flesh as possible before time runs out. It’s gross. It’s nauseating. It’s exactly what fans of this franchise have been looking for and what its critics have derided. The twist is that these victims are a part of the current financial crisis, making their torture something audiences, many of which have been impacted through loss of income, would more likely cathartically enjoy.
Interview: Marcus Dunstan, Patrick Melton on ‘The Collector,’ ‘Saw VI’
Submitted by PatrickMcD on July 30, 2009 - 10:04pmCHICAGO – Screenwriters Marcus Dunstan and Patrick Melton (the upcoming ‘Saw VI’) met each other at the University of Iowa and both are originally from Illinois. Dustan makes his directorial debut with the release of ‘The Collector.’