Nick Allen

Film Review: Hacker Thriller ‘Blackhat’ Has a Finger on the Enter Key

CHICAGO – A speedy film project can take about a year from conception to final cut; director Michael Mann’s wired-in thriller “Blackhat” might as well have been written, shot, and cut last month. Not just because of its epilogue to the rise and defeat of the Guardians of Peace, but for its modernity.

Film Review: Sprightly Bear Tale ‘Paddington’ is Good Fun

Paddington with Ben Whishaw

CHICAGO – It may prove hard to recall an era of talking creatures in live-action movies before the napalm hellfire of “Alvin and the Chipmunks” or “The Smurfs.” But, lest we forget, “Babe” has more Academy Awards than “The Master.” Arriving at the coy and wise time of the film year where expectations are either golden or underneath the barrel, talking bear Paddington arrives stateside as a well-behaved throwback to brighter days for a simple genre, with an efficient sense of humor and a few globs of vision, too.

Blu-ray Review: James Brown Biopic ‘Get on Up’ Has No Soul

Get On Up

CHICAGO – When people yawn about the dullness of movies based on life stories, they are certainly referring to films like “Get On Up,” an absurdly uninteresting portrait of a key figure of music, or so this movie claims. From the “The Help’s” vanilla visionary Tate Taylor, this 140-minute ode to James Brown is a half-assed argument about his nonpareil greatness, and full evidence that the biopic may be the weakest genre in film.

Film Review: Limiting Twists in Time Travel Drama ‘Predestination’

Predestination, 2015

CHICAGO – “Predestination” is a time travel game of limited pieces, in which two beings are not who they seem. Twists abound in a story that gets credit for jarring narrative directions, but this adaptation of Robert A. Heinlein’s “All You Zombies” remains limited in its potential, especially as it fails to evolve past its spiritual predecessors “Source Code” and “Looper.”

Interview: Co-Directors Aaron Wickenden, Dan Rybicky of Outsider Artist Doc ‘Almost There’

Almost There, Aaron Wickenden & Dan Rybicky

CHICAGO – The discovery of an outsider artist’s eccentric creations leads to the testing revelation of a public shame in “Almost There,” a definitively human documentary that mixes the idiosyncratic canvas of “Grey Gardens” with the compassion of “Hoop Dreams.” Making its Chicago premiere tomorrow night at the Gene Siskel Film Center, “Almost There” has sold out its 7:45pm screening, but tickets a

Blu-ray Review: Richard Linklater’s 2014 Classic ‘Boyhood’

Boyhood

CHICAGO – I remember when Richard Linklater’s “Boyhood” was just a rare credit on IMDb, a project listed as “in production” for many years, while the director’s other completed work passed through. The curiosity of Linklater’s unparalleled experiment was certainly fulfilled by its release, which comes full circle today as it hits home video, an award season epilogue in sight.

Blu-ray Review: Cult-Ready Thriller ‘The Guest’ Comes Home

The Guest with Dan Stevens

CHICAGO – As the classification of “cult hit” becomes a progressively mainstream notion considering the multitude of “The Room” screenings across our great nation every weekend or the universal quotability of “Troll 2,” “The Guest” arrives. It is a movie made with the degree of madness often found only at midnight, usually at film festivals, or during special events at indie movie houses like Chicago’s Music Box Theater.

Film Review: Warming, Sincere Teen Drama ‘The Way He Looks’

The Way He Looks, 2015 (better picture)

CHICAGO – Opening this weekend at the Music Box Theater is “The Way He Looks,” a Brazilian coming-of-age drama that navigates topics of living with blindness and sexual curiosity without an agenda. Though strained by an underdeveloped focal love triangle, these facets are explored with freeness within the developing era of high school crushes.

Film Feature: The 10 Best Films of 2014, By Nick Allen

CHICAGO – Just like every year before it, there were no perfect films in 2014. I do not see this as a negative thing - reaching for greatness is far more electrifying than the plateau of achieving it, as presented in a hustler’s opus like ‘Whiplash,” which specifically eschews applause after a drum solo that just may have been perfection.

Interview: Director Rupert Wyatt Bets on Mark Wahlberg in ‘The Gambler’

CHICAGO – One could say that “Rise of the Planet of the Apes” director Rupert Wyatt has been pretty lucky. But even he’ll tell you that with his followup feature, “The Gambler,” he could be back to zero.

Syndicate content

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

HollywoodChicago.com Top Ten Discussions
referendum
tracker