CHICAGO – In the last several years, how many times have you wanted to shout the “Mad as Hell” movie quote? Well, Invictus Theatre Co. has produced a stage adaptation of “Network” – with that quote shout worthy – at the Windy City Playhouse in Chicago through September 29th. For tickets/details, click HOWARD BEALE.
Frank
Podtalk: Gene & Roxi Pope for ‘Queen of Knives’ in Chicago
Submitted by PatrickMcD on August 13, 2024 - 1:39pmCHICAGO – The “Queen of Knives” has been on tour since its release to theaters and VOD earlier this summer, and is in Chicago for a FREE screening at the AMC River East 21 Theatre on August 14th, 2024 (7pm), featuring appearances by featured actors (and real life father/daughter) Gene & Roxi Pope. For tickets/details, click here.
Podtalk: Co-Director Tommy Haines of ‘Saving Brinton,’ Opening in Chicago on July 20, 2018
Submitted by PatrickMcD on July 19, 2018 - 9:10pmCHICAGO – In the early years of film and filmmaking, from approximately 1890 through 1930, an astounding 75% of films produced are considered “lost,” with no surviving reels, never to be seen again. Recently, an Iowa man named Michael Zahs finally convinced the University of Iowa to research and archive the Frank Brinton Collection, a cache of early films that barnstormer Brinton would show all over Iowa in the 1890s, on through the early decades of the 20th Century. What was found in that Collection is the subject of “Saving Brinton,” co-directed by Tommy Haines and Andrew Sherburne.
Film Feature: The 10 Best Films of 2014, By Nick Allen
Submitted by NickHC on December 31, 2014 - 4:19pm- A Most Violent Year
- Boyhood
- Christopher Nolan
- David Wain
- DMX
- Film Feature
- Frank
- Gary Poulter
- HollywoodChicago.com Content
- Interstellar
- Joe
- List
- Locke
- Marion Cotillard
- Michael Bay
- Nick Allen
- Nightcrawler
- Obvious Child
- Selma
- The Babadook
- The Best Films of 2014
- The LEGO Movie
- The Raid 2
- They Came Together
- Top Five
- Transformers: Age of Extinction
- Two Days One Night
- Whiplash
CHICAGO – Just like every year before it, there were no perfect films in 2014. I do not see this as a negative thing - reaching for greatness is far more electrifying than the plateau of achieving it, as presented in a hustler’s opus like ‘Whiplash,” which specifically eschews applause after a drum solo that just may have been perfection.
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