CHICAGO – Excelsior! Comic book legend Stan Lee’s famous exclamation puts a fine point on the third and final play of Mark Pracht’s FOUR COLOR TRILOGY, “The House of Ideas,” presented by and staged at City Lit Theater in Chicago’s Edgewater neighborhood. For tickets/details, click HOUSE OF IDEAS.
Sean Baker
On-Air Film Review: Simon Rex in Pocket! ‘Red Rocket’
Submitted by PatrickMcD on December 26, 2021 - 2:19pmCHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on December 16th, 2021, reviewing the latest film of writer/director Sean Baker, “Red Rocket” currently in select theaters, see local listings.
Interview, Audio: Director Sean Baker Builds ‘The Florida Project’
Submitted by PatrickMcD on October 13, 2017 - 11:02pmCHICAGO – It’s an epidemic in America, and it exists in a gray area that is not as prominent as other socio-economic issues. It is the “hidden homeless,” and the problem is uniquely defined as individuals who live week-to-week in cheap hotels, shelters and SROs, one circumstance away from being officially homeless. Writer/director Sean Baker takes this subject on in a stark-but-accessible narrative film called “The Florida Project.”
Blu-ray Review: Brilliantly Acted ‘Starlet’ Portrays Beauty of Unlikely Bond
Submitted by mattmovieman on May 15, 2013 - 9:34amCHICAGO – Besedka Johnson was 85 years old when she was discovered at a YMCA. After devoting her life to astrology, the genial woman was suddenly brought to the attention of indie filmmakers intrigued by her vintage movie star features. At 86, she delivered a tour-de-force film debut in Sean Baker’s marvelous drama, “Starlet.” And at 87, she passed away.
Film Review: Bizarre Friendship Forms in Center of ‘Starlet’
Submitted by BrianTT on December 7, 2012 - 4:58pmRating: 3.5/5.0 |
CHICAGO – Sean Baker’s “Starlet” is about an incredibly unlikely friendship between two women six decades apart and, like a lot of acclaimed independent films, it plays like an interesting short story adapted to celluloid. The first forty-five minutes of Baker’s debut really work, as the writer/director works with his two talented leads to craft an interesting character study. When the film has to get into more depth regarding its characters futures and pasts, it falters a bit but there’s still a lot to like here.