Sundance Film Festival

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The instant-response nature of our media has forced a bizarre question on nearly every minute of the Sundance Film Festival — “Is it a GOOD year?” Journalists and festival goers talk in hushed tones about the first time they saw beloved Sundance films like “Clerks,” “Bottle Rocket,” “Winter’s Bone,” or “Beasts of the Southern Wild” and wonder if there’s anything this year to compare. Personally, I had a spectacular year.

Park City was abuzz on the final day with guesses as to what the secret screening known as “Film X” would be on Tuesday night. Could it be Wes Anderson’s “Grand Budapest Hotel”? Maybe “Foxcatcher,” which was almost done in time for awards season and so may be now? “Snowpiercer”? The new Kevin Smith? “Star Wars, Episode VII”?

Exhaustion is settling in but the movies have been consistently good to great. Four movies in a row that variably thrilled or entertained me but definitely left with strong impressions of unforgettable characters. And one of them may be a masterpiece.

It’s funny how things start to pair up over festivals. You’ll notice themes across at least two films, maybe more. Could just be the exhaustion. The six films I’ve seen since I last filed a diary definitely partner nicely and yet one can also trace through lines through them, despite their completely different genres. Let’s get going…

I’ve only seen three movies since my last dispatch — Sundance is about finding the time to write whenever you have it and it just comes earlier today than it did yesterday — but one was a true gem. So I’ll be brief.

Sundance has always been an interesting blend of new and old; domestic and international; star power and new faces. In the last 24 hours, the two movies that struck the loudest chord with me come from young filmmakers, and that couldn’t make me happier.

I’m back in Park City for another week of premieres, interviews, and screenings of at least a few films that the community will be talking about all year. Last year’s Sundance produced “The Spectacular Now,” “Stories We Tell,” “Mud,” “Upstream Color,” “Before Midnight,” “Ain’t Them Bodies Saints,” and more. What will impact this year?

The Sundance Film Festival kicks off this Thursday night, January 16, 2014 and history tells us that one of your favorite films will premiere there. Last year, we covered the Sundance premieres of “Before Midnight,” “Upstream Color,” “The Way Way Back,” “Ain’t Them Bodies Saints,” “We Are What We Are,” and many more. And Chicago Critics Film Festival hits “Stories We Tell,” “The Spectacular Now,” and “The Kings of Summer” premiered in Park City in 2013.