CHICAGO – In anticipation of the scariest week of the year, HollywoodChicago.com launches its 2024 Movie Gifts series, which will suggest DVDs and collections for holiday giving.
Theater
‘Lookingglass Alice’ a Proud Chicago Work of Jibber Jabber, Nonsensical Wonderment
Submitted by HollywoodChicago.com on July 16, 2008 - 11:43amRating: 3.5/5.0 |
CHICAGO – On the fourth of July in 1862, Charles Lutwidge Dodgson rowed a boat up the River Thames with 10-year-old Alice Liddell. Alice was the daughter of the new dean of Christ Church where Dodgson was employed as a lecturer in mathematics.
Chicago’s Goodman Theatre Sings Lively New Tune With Fats Waller’s ‘Ain’t Misbehavin’’
Submitted by HollywoodChicago.com on July 6, 2008 - 7:39pmRating: 4.0/5.0 |
CHICAGO – If you were to visit Harlem in the 1920s, you might have found yourself in a nightclub exploding with hot keys, cold booze and swingin’ dances about as far from the stylings of “So You Think You Can Dance” as possible.
‘Superior Donuts’ From Pulitzer Prize-Winning Playwright Tracy Letts a Chicago Dish, Albeit a Stale One
Submitted by HollywoodChicago.com on July 1, 2008 - 12:06amRating: 3.0/5.0 |
CHICAGO – I wouldn’t have wanted to be Tracy Letts on Saturday afternoon. After winning both the Pulitzer Prize and the Tony Award for his opus “August: Osage County,” he had to have been feeling the tremendous pressure being placed on his newest work and first comedy “Superior Donuts”.
Chicago’s ‘Relatively Close’ is Concrete Proof That Death is Easy, Comedy is Hard
Submitted by HollywoodChicago.com on June 17, 2008 - 10:30pmRating: 2.0/5.0 |
CHICAGO – Forget the Year of the Rat. This is the year of the dysfunctional family reunion.
With Tracy Letts’ Pulitzer Prize-winning drama “August: Osage County,” the Broadway remounting of “Cat on a Hot Tin Roof” and the Tony-sweeping revival of “Gypsy,” 2008 has been saturated with some of the finest performances of relational drama that theatre has seen in years.
Raven Theatre’s ‘Laughter on the 23rd Floor’ Serves Justice to Neil Simon Masterpiece
Submitted by HollywoodChicago.com on June 10, 2008 - 9:58pmRating: 3.5/5.0 |
CHICAGO – Part slapstick and part Henny Youngman-style one-liner schtick, “Laughter on the 23rd Floor” is a classic American comedy that still rings funny no matter how many times you’ve seen it.
New Millennium Theatre’s ‘Villains’ Scores Originality With Anti-Hero Plotline
Submitted by HollywoodChicago.com on June 4, 2008 - 2:23amRating: 3.0/5.0 |
CHICAGO – In an unrevealed abandoned warehouse in the seedy underbelly of Chicago’s north side that is the Uptown neighborhood, a group of super villains met last Saturday night to plot and scheme their next attack against law-abiding society.
‘Avenue Q’ Bases Musical Self on ‘Cheap Laugh is Better Than No Laugh’ Adage
Submitted by HollywoodChicago.com on May 27, 2008 - 12:40amRating: 2.5/5.0 |
CHICAGO – In the tradition of recent Broadway productions where touristy and crowd-pleasing scenery reigns over any type of theater substance, along comes the 2004 Tony Award-winning best musical “Avenue Q,” which is now in a touring version at the Cadillac Palace Theatre in Chicago.
‘The Mark of Zorro’ Nails Swordsman, Markedly Complicates Cast, Botches Dialect
Submitted by HollywoodChicago.com on May 15, 2008 - 12:33amRating: 2.5/5.0 |
CHICAGO – Sometimes less, of course, is more. Live theater often knows that better than anyone. That’s exactly the shrill reminder Chicago’s Lifeline Theatre needed in Katie McLean’s adaptation of the beloved Zorro book by Johnston McCulley.
Chicago’s ‘Shout! The Mod Musical’ an Infectiously Groovilicious, Estrogen-Only Stew
Submitted by HollywoodChicago.com on May 11, 2008 - 10:17pmCHICAGO – Meg Ryan, eat your heart out. Since “When Harry Met Sally,” the salacious Danielle Plisz as Green Girl in “Shout! The Mod Musical” takes Ryan’s infamous restaurant eruption to a whole new level on stage.
Chicago’s Political Machine Runs Relatively Swimmingly in Strawdog Theatre’s ‘Old Town’
Submitted by HollywoodChicago.com on May 1, 2008 - 7:52amCHICAGO – As a testament to its set design, it wasn’t immediately clear if certain structures were naturally part of the Strawdog Theatre space or if they were fabricated specifically for the “Old Town” production.