Werner Herzog

CHICAGO – We like to think that mass murderers are pure monsters. They don’t have kids. They don’t walk around free. They couldn’t possibly have a moment of joy after causing so much pain. This is, of course, nothing more than a comforting fallacy.

CHICAGO – “Jack Reacher” doesn’t work as an action movie. However, if you approach the mannered dialogue and dark storytelling as a noir, which is what I believe the writer and director (if not the marketing team at Paramount) intended, then there’s a lot to like here. It’s a stylized, slick, well-made ride with some crackling dialogue, charismatic performances, and heavy doses of style.

Rating: 3.5/5.0

CHICAGO – In an age increasingly dominated by electronics and man-made comforts, it can be difficult to remember that there are still parts of this spinning planet that are driven by mother nature. One documentarian long-fascinated with the way man interacts with nature is Werner Herzog and he brings his latest, “Happy People: A Year in the Taiga,” to the Music Box Theatre this weekend.

CHICAGO – While normally I’d never think the date I screened a film was newsworthy, being subjected to “Jack Reacher” on Dec. 13, 2012 turned out to put even a therapist into therapy. The very next day, well, just two words: Sandy Hook.

CHICAGO – No matter which side of the capital punishment debate you fall on, Werner Herzog’s “Into the Abyss” is a masterful documentary, one you simply must see. It brilliantly reflects the complexities of one of the most divisive issues of our time. Herzog is vocally against the death penalty but he doesn’t present a case that would help solidify his arguments. He could have made a film about someone wrongly convicted. Instead, he dares to tell the story of someone who arguably deserves to die and then makes the emotionally difficult case that he still should not.

CHICAGO – Werner Herzog’s “Cave of Forgotten Dreams” is, in many ways, the ultimate documentary from one of our best living filmmakers in that it perfectly captures something notable about the man himself. The film, recently released on Blu-ray and DVD, is a document of the oldest existing cave paintings, stunning artwork that dates back thousands of years. In many ways, what the prehistoric men did in those caves is not unlike what Herzog himself has been doing — recording the natural world for future generations. It makes one wonder if people will watch this work in 10,000 years.

Rating: 5.0/5.0

CHICAGO – Through both his fictional and documentary work, Werner Herzog has long been interested in the workings of the natural world and our place in it. His new film, “Into the Abyss,” may at first seem like a departure from those themes but it centers on a subject that defies the natural world and order – the taking of another life. Easily one of the best documentaries of the year, this riveting, haunting piece of work fits perfectly into Herzog’s resume as one of our most important living filmmakers.

CHICAGO – In our latest documentary edition of HollywoodChicago.com Hookup: Film, we have 50 admit-two movie passes up for grabs to the advance Chicago screening of IFC Films’ “Into the Abyss” from Werner Herzog about why people kill – and why a state kills!

CHICAGO – Where are the vital connections between our ancient ancestors and our creative, technological selves? Prehistoric cave drawings, the oldest ever discovered, are showcased in Werner Herzog’s new documentary, “Cave of Forgotten Dreams.” The link between who they are and who are we becomes the theme of this remarkable exposition.

Rating: 2.5/5.0

CHICAGO – When David Lynch came to Chicago for an “Inland Empire” screening back in 2007, he offered memorable advice to a moviegoer baffled by his work. He said that his audience should meditate not on the “intellectual experience” provided by his films, but the emotional ideas that they conjure. Meditating on anything else would prove useless because, as Lynch put it, “If you meditate on buttermilk, you’ll end up going to the dairy.”