HollywoodChicago.com Movie Reviews

Shia LaBeouf, Michael Douglas Drive Energetic ‘Wall Street: Money Never Sleeps’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – After a string of disappointments that include “Alexander,” “World Trade Center” and “W,” one of the best directors of the 1980s and 1990s at least draws closer to form with the entertaining “Wall Street: Money Never Sleeps”. The film is a great vehicle for Shia LaBeouf, Josh Brolin and Michael Douglas that occasionally disappoints but crackles more often than it fizzles.

‘Enter the Void’ Takes Viewers on the Next Ultimate Trip

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – “Dying would be the ultimate trip.” This line is uttered early on in “Enter the Void,” the extraordinary new film from Gaspar Noé, a director who enjoys referencing his previous work almost as much as his hero, Stanley Kubrick. This line pays subtle homage to the “2001: A Space Odyssey” poster prominently framed toward the end of Noé’s previous film, “Irreversible.”

Ryan Reynolds Gets Beneath it in Tense Thriller ‘Buried’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In one of the most unusual settings for a film, actor Ryan Reynolds performs as a one-man tour de force as the only on-screen character in the new film “Buried.” Set in a coffin buried beneath the sands of Iraq, Reynolds conveys the panic, hope and inevitable outcome of a man buried alive and fighting for his very existence.

Ben Affleck’s ‘The Town’ Proves ‘Gone Baby Gone’ Wasn’t Beginner’s Luck

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Only three years since the Chicago Film Critics Association awarded Ben Affleck as our most promising filmmaker, he’s back in the director’s seat a second time with “The Town”. While the film dramatically centers on the business of robbery in his familiar streets of Boston, Affleck importantly proves that his 2007 Oscar-nominated film “Gone Baby Gone” wasn’t just beginner’s luck.

Low Grade on Report Card For ‘Easy A’ With Emma Stone

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO - “Easy A” is simply a hard film to swallow. Set in a high school on another planet, it wants everything and ends up giving very little. The cast is game - Emma Stone, Patricia Clarkson, Stanley Tucci, Thomas Haden Church and Lisa Kudrow - but with few exceptions the players cannot handle the lead balloon banter that passes for jokey dialogue. It wants also to be a grand statement on gossip and those who get hurt by it, but perky Stone doesn’t seem that affected.

‘Heartbreaker’ Makes Romantic Comedy Look Effortless

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – If there’s one genre Hollywood has managed to screw up beyond all recognition, it’s the romantic comedy. Many of the worst films in recent years have brought the genre to an all-time low, such as “Leap Year,” “Love Happens,” and anything starring Gerard Butler. These dumbed-down products use stereotypes in place of characters, incessant sparring in place of chemistry and gooey sentiment in place of a tangible heart.

Cyber Society is Basis For Losing it in Funny ‘The Virginity Hit’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – A great percentage of the population inevitably gets to the moment in their life when co-mingling becomes the next phase of interaction – the loss of virginity. Despite braggadocio to the contrary, for most people it is fraught with a bit of the undiscovered country. “The Virginity Hit” mines that territory with some cyber-age big brotherism thrown in.

Awful Execution Fails Clever Concept of ‘Devil’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Being a hardcore fan of anthology series like “The Twilight Zone” and “Tales From the Crypt,” the simple set-up of “Devil,” the new horror film based on a story by and produced by M. Night Shyamalan, intrigued me — five people are stuck in an elevator and one turns out to be the devil. Sadly, the concept is the only interesting thing about this horribly-executed tale from the dull side of the genre.

Joaquin Phoenix, Casey Affleck Annoy in Worthless ‘I’m Still Here’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Is “I’m Still Here,” the story of Joaquin Phoenix’s attempts to leave behind his acting career and try to make it as a hip-hop star, an elaborate piece of performance art or a documentary about an identity crisis of a man committing professional suicide? The problem is that the answer is irrelevant. Either way, “I’m Still Here” is grating, boring, and completely without value.

Drew Barrymore, Justin Long Fall Short of ‘Going the Distance’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Drew Barrymore no doubt is working hard to become Queen of the Romantic Comedy. She has done over ten of them, more if you count “Bad Girls.” (kidding) When recycling themes even the best of them can get redundant when seeing the same actress involved. “Going the Distance” is not even among the best of them.

Robert Rodriguez’s ‘Machete’ Pushes Excess Past Breaking Point

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Not everything should be filet mignon. Sometimes you just want a greasy, delicious cheeseburger. Now imagine eating ten of those cheeseburgers in a row. Robert Rodriguez’s “Machete” starts as a wonderful gore-fest but falls victim to its creator’s inability to realize he doesn’t need to answer to every violent vision he can dream up. The film is proof that even extremely over-the-top films can be monotonous in that their one tone is “ARGH!”

Amazing Saga of ‘The Tillman Story’ Has Lasting Power

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – You are unlikely to see a documentary this year more powerful than “The Tillman Story.” This film will shake your concept of heroism, the marketing machine of government, the military complex, and the state of journalism in the new millennium. It is a remarkable film that sent me out of the theater as angry as the people who refused to let Pat Tillman become the exact opposite of what he wanted to be. Don’t miss it.

Violent, Extreme Crime Saga of ‘Mesrine: Public Enemy #1’ With Vincent Cassel

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – When we last left Jacques Mesrine in “Mesrine: Killer Instinct,” he was robbing banks, killing cops, and escaping from jail. In “Mesrine: Public Enemy #1,” Jacques Mesrine robs banks, kills cops, and escapes from jail. The second half of the “Mesrine” saga contains most of the same strengths and flaws as its predecessor and one has to wonder if the two films couldn’t have been merged into a stronger and more accomplished single project.

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

Advertisement



HollywoodChicago.com on X

archive

HollywoodChicago.com Top Ten Discussions
tracker