CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on March 21st, 2024, reviewing the new streaming series “Manhunt” – based on the bestseller by James L. Swanson – currently streaming on Apple TV+.
Citizen Kane
Rosebud! On-Air Reviews of ‘Mank’ & ‘The Last Vermeer’
Submitted by PatrickMcD on November 19, 2020 - 7:05pm- Amanda Seyfried
- Citizen Kane
- Claes Bang
- Gary Oldman
- Guy Pierce
- Herman Mankiewicz
- HollywoodChicago.com Content
- Mank
- Monroe
- Movie Review
- Nazis
- Netflix
- Orson Welles
- Patrick McDonald
- Rosebud
- Scott Thompson
- The Last Vermeer
- The Morning Mess
- TriStar Pictures
- WBGR-FM
- William Randolph Hearst
- Wisconsin
- World War II
Rating: 4.0/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on November 19th, 2020, reviewing the new films “Mank” (in theaters, on Netflix December 4th) and “The Last Verneer” (only in theaters).
‘Jurassic World: Fallen Kingdom’ is Classic Jurassic
Submitted by PatrickMcD on June 22, 2018 - 4:10pm- b.d. wong
- Bryce Dallas Howard
- Chris Pratt
- Citizen Kane
- Danielle Pineda
- Geraldine Chaplin
- HollywoodChicago.com Content
- Isabella Sermon
- James Cromwell
- Jeff Goldblum
- Jurassic Park: Fallen Kingdom
- Justice Smith
- King Kong
- Movie Review
- Patrick McDonald
- Rafe Spall
- Steven Spielberg
- Toby Jones
- Universal Pictures
Rating: 4.0/5.0 |
CHICAGO – For a franchise celebrating its 25th Anniversary, with three original films and on its second reboot, the dinosaurs-living-on-modern-earth dynamic would pretty much be played out. But after a shallow first reboot, “Jurassic World: Fallen Kingdom” takes on a more classical approach, and returns to form.
Magic of Orson Welles Rings the ‘Chimes at Midnight’
Submitted by PatrickMcD on March 19, 2016 - 2:20pmRating: 5.0/5.0 |
CHICAGO – Another wondrous pleasure about director Orson Welles – as if he needed something else on his resume – is the discovery of his film career after the “Citizen Kane”/studio system/boy wonder period of the 1940s. Facing difficulties cobbling together financing for his evolving vision, he resorted to overseas money, international casts and more-for-less. One of the prime examples is “Chimes at Midnight” (1965), a Shakespeare amalgamation that is just another example of Wellesian audacity and yes, genius.