CHICAGO – The Steppenwolf Theatre of Chicago continues to provide different viewpoints on the American stage, and their latest “Little Bear Ridge Road” is no exception. Featuring ensemble member Laurie Metcalf, it’s the resonate story of a family at the crossroads. For tickets/details, click LITTLE BEAR.
Citizen Kane
Rosebud! On-Air Reviews of ‘Mank’ & ‘The Last Vermeer’
Submitted by PatrickMcD on November 19, 2020 - 7:05pm- Amanda Seyfried
- Citizen Kane
- Claes Bang
- Gary Oldman
- Guy Pierce
- Herman Mankiewicz
- HollywoodChicago.com Content
- Mank
- Monroe
- Movie Review
- Nazis
- Netflix
- Orson Welles
- Patrick McDonald
- Rosebud
- Scott Thompson
- The Last Vermeer
- The Morning Mess
- TriStar Pictures
- WBGR-FM
- William Randolph Hearst
- Wisconsin
- World War II
![]() Rating: 4.0/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on November 19th, 2020, reviewing the new films “Mank” (in theaters, on Netflix December 4th) and “The Last Verneer” (only in theaters).
‘Jurassic World: Fallen Kingdom’ is Classic Jurassic
Submitted by PatrickMcD on June 22, 2018 - 4:10pm- b.d. wong
- Bryce Dallas Howard
- Chris Pratt
- Citizen Kane
- Danielle Pineda
- Geraldine Chaplin
- HollywoodChicago.com Content
- Isabella Sermon
- James Cromwell
- Jeff Goldblum
- Jurassic Park: Fallen Kingdom
- Justice Smith
- King Kong
- Movie Review
- Patrick McDonald
- Rafe Spall
- Steven Spielberg
- Toby Jones
- Universal Pictures
![]() Rating: 4.0/5.0 |
CHICAGO – For a franchise celebrating its 25th Anniversary, with three original films and on its second reboot, the dinosaurs-living-on-modern-earth dynamic would pretty much be played out. But after a shallow first reboot, “Jurassic World: Fallen Kingdom” takes on a more classical approach, and returns to form.
Magic of Orson Welles Rings the ‘Chimes at Midnight’
Submitted by PatrickMcD on March 19, 2016 - 2:20pm![]() Rating: 5.0/5.0 |
CHICAGO – Another wondrous pleasure about director Orson Welles – as if he needed something else on his resume – is the discovery of his film career after the “Citizen Kane”/studio system/boy wonder period of the 1940s. Facing difficulties cobbling together financing for his evolving vision, he resorted to overseas money, international casts and more-for-less. One of the prime examples is “Chimes at Midnight” (1965), a Shakespeare amalgamation that is just another example of Wellesian audacity and yes, genius.
![RSS - Citizen Kane Syndicate content](/misc/feed.png)