CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the streaming series “Emily in Paris” the adventures of Emily Cooper and her fanciful/fashionable Paris friends and lovers, now in its fourth season. Episodes 1-5 currently on Netflix.
Film Review
Annoying, Inconsistent ‘Charlie Countryman’ with Shia LaBeouf
Submitted by BrianTT on November 15, 2013 - 10:46am![]() Rating: 1.5/5.0 |
CHICAGO – What happens when you give people two months in Romania to make a movie about a lost soul dealing with grief, love, drug use, and general excess? You get a spoiled, bizarre, annoying piece of work like “Charlie Countryman,” starring talented people given absolutely nothing to do that proves that talent. It’s a film more in love with slow-motion shots of its abrasive lead running to electronic dance music than anything approaching character or plot. It’s like watching the travel video of the most annoying guy you know.
‘The Book Thief’ Fails to Find Tone of Familiar Story
Submitted by BrianTT on November 15, 2013 - 10:07am![]() Rating: 2.0/5.0 |
CHICAGO – Brian Percival’s “The Book Thief,” from the hit book by Markus Zusak, is a well-intentioned piece of work that nonetheless fails, sometimes spectacularly, to connect in the ways that its creators intend. Tonally adrift between something clearly aimed at young adults and something much darker and more cynical about the nature of man and the afterlife, the film is only carried at all by the strengths of its talented leads – Geoffrey Rush, Emily Watson, and the remarkable Sophie Nelisse.
Gentle Meditation on Life in ‘Museum Hours’
Submitted by BrianTT on November 14, 2013 - 12:15pm![]() Rating: 4.0/5.0 |
CHICAGO – Jem Cohen’s “Museum Hours” is a lovely, almost calming meditation on life centered around an art museum with someone who spends a large portion of his life there and a traveler new to the building. Great art has the power to comment on life’s issues – sex, death, parenthood, religion, etc. – and Cohen uses the power of the still image to construct a film of moving ones with power of its own.
‘The Trials of Muhammad Ali’ Captures Fascinating Man
Submitted by BrianTT on November 6, 2013 - 5:29pm![]() Rating: 4.0/5.0 |
CHICAGO – We’ve come to expect so little of our athletes. When stories like the nonsense going down in the Miami Dolphins locker room or the drug scandals with A-Rod break, they’re starting to be greeted with a shrug.
‘The Counselor’ Disguises Lackluster Storytelling in Philosophy
Submitted by BrianTT on October 24, 2013 - 2:51pm![]() Rating: 2.0/5.0 |
CHICAGO – “That’s not what greed does; that’s what greed is.” Cormac McCarthy’s script for “The Counselor” is so weighed down with allegedly insightful philosophy like this that it collapses into a heap of laughable, unbelievable exchanges between characters who simply don’t exist in the real world.
Robert Redford Battles the Elements in ‘All is Lost’
Submitted by BrianTT on October 24, 2013 - 11:06am![]() Rating: 4.0/5.0 |
CHICAGO – Few films have captured the intensity of fighting against the inevitable pull of Mother Nature as J.C. Chandor’s gut-wrenching “All is Lost,” a showcase for Robert Redford like he hasn’t had in years and further proof that the writer/director of “Margin Call” is one to watch.
Diablo Cody Loses Tone in Awful ‘Paradise’
Submitted by BrianTT on October 21, 2013 - 8:56pm![]() Rating: 1.0/5.0 |
CHICAGO – Diablo Cody’s directorial debut, “Paradise,” now available everywhere On Demand and released this Friday in some markets theatrically, is an unmitigated disaster. It’s the most tonally inconsistent film of 2013, a flick that fluctuates wildly from broad satire to manipulative drama to something altogether indescribably bad.
Performances Carry Update of Horror Classic ‘Carrie’
Submitted by BrianTT on October 17, 2013 - 12:52pm![]() Rating: 3.5/5.0 |
CHICAGO – Director Kimberly Peirce (“Boys Don’t Cry”) doesn’t convey the dread or atmosphere of Stephen King’s “Carrie” to a degree that elevates it to the source material’s true potential but she does handle performance in a way that’s rare in the genre, making this remake one of the best horror films of the season.
Relentless Artistry of ‘12 Years a Slave’
Submitted by BrianTT on October 17, 2013 - 10:53am![]() Rating: 4.0/5.0 |
CHICAGO – A man is chained to the floor in a dark, barren room. He has been ripped from his family and his freedom, and we watch as he’s whipped with amazing brutality. It goes on well past the point that most films with similar human suffering would have cut to a less stressful image. It will not be the last time that “12 Years a Slave” forces the viewer to turn away before the editor does it for you.
Hilarious Cast Elevates Mediocre ‘A.C.O.D.’
Submitted by BrianTT on October 10, 2013 - 5:27pm![]() Rating: 3.0/5.0 |
CHICAGO – The incredibly talented men and women who make up the cast of “A.C.O.D.” make the relative failure of its script easier to bear. Just hearing brilliant actors like Richard Jenkins and Catherine O’Hara at each other’s throats or watching remarkably likable stars like Adam Scott and Mary Elizabeth Winstead figure out their relationship has enough charm to get one from lights down to credits roll.
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