Hailee Steinfeld

Rating: 5.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on June 1st, reviewing “Spider-Man: Across the Spider-Verse,” another animated adventure for the web slinger in the multi-verse. In theaters on June 2nd.

Rating: 3.0/5.0

CHICAGO – “The Edge of Seventeen” does attempt to do some different things with the growing-up-too-soon teenager soap opera – it throws in a authentic parent, contemporary sex issues and truthful awkwardness. But it can’t help being too heroic, and too “everything’s all right.”

Rating: 3.0/5.0

CHICAGO – “Pitch Perfect 2” wasn’t bad. There was the same off-kilter weirdness and funny lines of the first film, but in this sequel there were also stretches of boring, seemingly made-up stuff to slog through. I guess repeating a premise about college singing groups doesn’t offer much more to say.

Rating: 3.5/5.0

CHICAGO – In Tommy Lee Jones’ passion project “The Homesman,” the wild west provides a vivid setting for a battle in man’s endless war against women, as the film firmly occupying a genre strictly known for cowboys and pioneer machismo. It’s a sorrowful western from actor/writer/director Jones that often shines in its twilight, hoping to slightly reconcile the maltreatment unleashed on half of the world’s most powerful species.

Rating: 2.5/5.0

CHICAGO – As a director, Kevin Costner comes across as a patient guy who waits for the right material to come along. Considering the last movie he helmed is a little over ten years old (“Open Range”), one might also consider him picky too. As an actor, it feels like Costner woke up one recent morning and thought, “Hey, I should do a handful of movies in a row. I’m not getting any younger!”

Rating: 2.0/5.0

CHICAGO – Gavin Hood’s “Ender’s Game” may be the best example of a current problem with science fiction: From “Oblivion” to “After Earth” to most of “Star Trek Into Darkness” and now this adaptation of the Orson Scott Card book, modern science fiction has become so depressingly sterile as to drain the genre of most of its joy.

Rating: 2.0/5.0

CHICAGO – When I walked out of my screening for 2013’s “Romeo and Juliet” with Hailee Steinfeld (Oscar nominated for “True Grit”) and London’s Douglas Booth (previously unknown to the U.S.), I had to remember that not everyone’s seen this story in one way or another.

Rating: 3.5/5.0

CHICAGO – “True Grit” seems like the perfect project for Joel and Ethan Coen; something they had been working toward their entire career. Not only had they made what could be considered a modern Western already in “No Country Old Men” but they were to bring together The Dude (Jeff Bridges) and Llewelyn Moss (Josh Brolin) under the magnificent lens of the great Roger Deakins. It nearly had to be a masterpiece.