CHICAGO – There is no better time to take in a stage play that is based in U.S. history, depicting the battle between fact and religion. The old theater chestnut – first mounted in 1955 – is “Inherit the Wind,” now at the Goodman Theatre, completing it’s short run through October 20th. For tickets and more information, click INHERIT.
Janet McTeer
‘Hannah Arendt’ Demonstrates Banality of the Biopic
Submitted by mattmovieman on August 16, 2013 - 9:10am Rating: 2.5/5.0 |
CHICAGO – “Hannah Arendt” comes to American cinemas packaged in the sort of prestige that elicits admiration rather than anticipation. Though Margarethe von Trotta is widely regarded as the leading female filmmaker in Germany, it’s doubtful that any audiences outside of her native country are all that familiar with her work. Her new film, “Hannah Arendt,” is so undistinguished that it’s hard to believe that it was made by a director often mentioned in the same breath as Fassbinder and Herzog.
Daniel Radcliffe Stars in Chilling ‘The Woman in Black’
Submitted by BrianTT on February 2, 2012 - 8:54pm Rating: 3.5/5.0 |
CHICAGO – The most important element to the opening of “The Woman in Black” is the Hammer Films logo that caused the legendary Roger Ebert to applaud when it appeared in the screening room here in Chicago. This is a Hammer Film through and through complete with unbelievable character action, loud sound effects, extreme shock scares, and other B-movie manipulations.
Glenn Close, Janet McTeer in Melancholy ‘Albert Nobbs’
Submitted by BrianTT on January 27, 2012 - 12:47pmRating: 3.5/5.0 |
CHICAGO – People who put themselves in boxes often go through their entire lives without meeting anyone who show them what it’s like on the outside. There’s every possibility that the tragically confined title character in “Albert Nobbs” would have remained in her box till her death if not for a chance encounter with someone who shows her that there is another way. The sad drama that follows charts her attempt to break free and realization that it may have come too late.
