CHICAGO – In anticipation of the scariest week of the year, HollywoodChicago.com launches its 2024 Movie Gifts series, which will suggest DVDs and collections for holiday giving.
Lars Von Trier
Unsettling View of Evil in Lars von Trier’s ‘The House That Jack Built’
Submitted by PatrickMcD on January 14, 2019 - 4:04pm Rating: 3.5/5.0 |
CHICAGO – With director Lars von Trier, who is a mad f**king genius of a filmmaker, it’s always make or break (or both). He breaks in his latest, “The House That Jack Built” which is all too much of evil everything, until it morphs into a last act that has an intriguing and unsettling sense of weird purpose. The story of a serial killer and the meticulous realizations of his killings is like a sound meter that is constantly going into the red zone, until the damn thing shatters.
Brutal Next Chapter Defines ‘Nymphomaniac: Vol. 2’
Submitted by PatrickMcD on April 5, 2014 - 7:15am Rating: 4.0/5.0 |
CHICAGO – The exploration of sexuality is a stark breakthrough in the “Nymphomaniac” film series by writer/director Lars von Trier. In the story of a woman interacting with her nature, there are shades of all physically active individuals. “Nymphomaniac: Vol. 1” covered the younger days of the main character of Joe. Vol. 2 takes her to the next, and more brutal phase – challenging her life and her disposition.
Nature, Morality Collide in ‘Nymphomaniac: Vol. 1’
Submitted by PatrickMcD on March 22, 2014 - 9:57am Rating: 5.0/5.0 |
CHICAGO – Writer/director Lars von Trier creates exposure through his film art. He is unafraid to explore the very nature of being human, while at the same time revealing the very foibles of barriers to our nature – social structures, economies, religion and our own conceits in life. Lars von Trier’s latest barrier breaker is “Nymphomaniac: Vol. 1.”
Lars Von Trier’s Mesmerizing ‘Melancholia’ Turns Depression Into Art
Submitted by BrianTT on November 10, 2011 - 11:33amRating: 5.0/5.0 |
CHICAGO – Lars Von Trier’s “Melancholia” is a mesmerizing, haunting portrayal of the world-shattering force of depression from a filmmaker who has first-hand knowledge of the debilitating disease. With career-best work by Kirsten Dunst and some of the most confident filmmaking from its controversial director, this is one of the best films of 2011, a stunningly original examination of that which is completely out of our control.
