Nikolaj Coster-Waldau

Sharpness Wears Down to Dull in ‘The Other Woman’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Cameron Diaz has a firm grasp on her … image. She has carefully transitioned throughout her career from ingenue to comedienne to voiceover to the new film “The Other Woman.” But what begins as a sharp revenge comedy collapses into a bonding-sticky-sweet dullness.

Eyegasmic ‘Oblivion’ With Tom Cruise Wins Your Optics, But Loses Your Brain

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Oblivion” is a Pyrrhic victory that wins its battle, but loses the overall war. While this is the kind of visual production value you’d expect on a $120 million budget, an ostentatious steak dinner in the special effects department never makes up for a story that tastes more like cheap ramen noodles.

‘Mama’ is Everything Classic Horror Should Be

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Occasionally, along comes a filmmaker who completely understands what makes a horror film work. “Mama,” the debut of co-writer and director Andy Muschietti, contains creepy children, psychological ramifications, clueless victims and deep mystery. This is both scary and a thriller.

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  • Invictus Theatre Network

    CHICAGO – In the last several years, how many times have you wanted to shout the “Mad as Hell” movie quote? Well, Invictus Theatre Co. has produced a stage adaptation of “Network” – with that quote shout worthy – at the Windy City Playhouse in Chicago through September 29th. For tickets/details, click HOWARD BEALE.

  • Emily in Paris

    CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the streaming series “Emily in Paris” the adventures of Emily Cooper and her fanciful/fashionable Paris friends and lovers, now in its fourth season. Episodes 1-5 currently on Netflix.

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