CHICAGO – Excelsior! Comic book legend Stan Lee’s famous exclamation puts a fine point on the third and final play of Mark Pracht’s FOUR COLOR TRILOGY, “The House of Ideas,” presented by and staged at City Lit Theater in Chicago’s Edgewater neighborhood. For tickets/details, click HOUSE OF IDEAS.
Philip Baker Hall
Chris Pine, Elizabeth Banks in Moving ‘People Like Us’
Submitted by BrianTT on June 29, 2012 - 9:20amRating: 3.0/5.0 |
CHICAGO – “People Like Us” is an old-fashioned tearjerker with everything that phrase implies. It’s undeniably manipulative and sentimental but it’s also somewhat refreshing to see a drama that isn’t laced with irony, cynicism, or some form of postmodern commentary on the genre. “People Like Us” is a film that wants you to be moved; it wants you to cry; it wants you to feel something.
Joseph Gordon-Levitt, Seth Rogen in Moving ‘50/50’
Submitted by BrianTT on September 30, 2011 - 10:07amRating: 4.0/5.0 |
CHICAGO – Jonathan Levine’s “50/50” is a daring blend of buddy comedy, light romance, family drama, and, oh yeah, cancer movie. The tightrope act of a script by Will Reiser is elevated in remarkable ways by one of the best ensembles of the year, led ably by the great Joseph Gordon-Levitt, doing career-best, Oscar nomination-worthy work.
Nature is Abused By Jim Carrey in ‘Mr Popper’s Penguins’
Submitted by PatrickMcD on June 17, 2011 - 7:49amRating: 1.5/5.0 |
CHICAGO – Pity the poor penguin making pictures. Their wings cannot fly, they have no script approval or agents, just a trainer bribing them with food to hit the mark. Their presence, their cuteness, even their flightlessness are exploited for a dreadful Jim Carrey film called “Mr Popper’s Penguins.” Somebody call PETA.
Ryan Gosling Cannot Save Disjointed ‘All Good Things’
Submitted by BrianTT on December 23, 2010 - 4:45pmRating: 2.5/5.0 |
CHICAGO – Having loved Andrew Jarecki’s “Capturing the Friedmans” and having recently named Ryan Gosling the best actor of his generation for his year-best work in “Blue Valentine,” I was psyched to fall for their collaboration on the true-crime thriller “All Good Things.” Sadly, my anticipation quickly turned to disappointment as this muddled work lurched toward a bizarre conclusion. Gosling and co-stars Kirsten Dunst and Frank Langella don’t do anything wrong here but the movie is such a mash-up of tones, fiction, and reality that it never comes together into anything coherent.