CHICAGO – Excelsior! Comic book legend Stan Lee’s famous exclamation puts a fine point on the third and final play of Mark Pracht’s FOUR COLOR TRILOGY, “The House of Ideas,” presented by and staged at City Lit Theater in Chicago’s Edgewater neighborhood. For tickets/details, click HOUSE OF IDEAS.
Robot
Domo Arigato Child Roboto! On-Air Film Review of ‘M3GAN’
Submitted by PatrickMcD on January 7, 2023 - 10:23am Rating: 3.0/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on January 5th, 2023, reviewing “M3GAN” a term pronounced “Megan” but short for Model 3 Generative Android. This robot film is in theaters beginning January 6th.
Mr. Roboto Domesto! Audio Review of ‘I’m Your Man’
Submitted by PatrickMcD on October 19, 2021 - 4:24pm Rating: 4.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com audio film review on the sci-fi romance “I’m Your Man” – featuring Dan Stevens (Disney’s live action “Beauty & the Beast”) – currently in select theaters.
Fam Bam! On-Air Review of ‘The Mitchells vs. The Machines’
Submitted by PatrickMcD on April 29, 2021 - 7:11pmRating: 4.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on April 29th, 2021, reviewing the new film “The Mitchells vs. The Machines” streaming on Netflix beginning April 30th.
Inside the Dire! On-Air Review of ‘Outside the Wire’
Submitted by PatrickMcD on January 15, 2021 - 7:30pm Rating: 3.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on January 15th, 2020, reviewing the new film “Outside the Wire,” streaming on Netflix beginning January 15th, 2021.
There are Future Consequences in ‘Ex Machina’
Submitted by PatrickMcD on April 19, 2015 - 11:21pmRating: 4.5/5.0 |
CHICAGO – The title “Ex Machina” is a play on Deus ex machina, the stage/scenario term meaning god from the machine, or the basic happy ending. By cutting out the “Deus” in the phrase, the film is left with just the machine, and the humans.
