CHICAGO – The late playwright August Wilson left a gift to the world in the form of his “American Century Cycle,” a series of plays each individually set in a decade of the 20th Century, focusing on the black experience. Chicago’s Goodman Theatre presents Wilson’s “Joe Turner’s Come and Gone,” now through May 19th, 2024 (click here).
Shirley Henderson
‘Bridget Jones’s Baby’ Offers Labored Attempt at Humor
Submitted by PatrickMcD on September 16, 2016 - 11:08amRating: 2.0/5.0 |
CHICAGO – “Bridget Jones’s Baby” is the kind of geriatric sequel that makes you retroactively question whether the original film that inspired it was all that good to begin with – it’s less a film than a labored collection of contrived situations involving pregnancy and pratfalls. It’s not painfully unwatchable, but it’s unlikely to inspire anything remotely resembling amusement in its audiences.
‘Meek’s Cutoff’ Turns Physical Journey Into Riveting Spiritual Drama
Submitted by BrianTT on May 13, 2011 - 2:26pmRating: 5.0/5.0 |
CHICAGO – Very few films have ever conveyed an impending sense of doom as successfully as Kelly Reichardt’s stunningly accomplished “Meek’s Cutoff,” a journey into the past that has resonance for any era. Which way do you go when you’ve lost the map? Who do you trust when you can’t see beyond the horizon? How does man simply keep moving forward when it’s so unclear where we’re going?
‘Life During Wartime’ Provides Haunting Coda to ‘Happiness’
Submitted by BrianTT on August 6, 2010 - 2:16pmRating: 3.0/5.0 |
CHICAGO – Todd Solondz’s 1998 masterpiece, “Happiness,” is the darkest American comedy ever made. It’s so brutal and uncompromising that it calls into question the very definition of comedy. When one character explains to her sister that she isn’t laughing at her, but with her, the sister responds, “But I’m not laughing.” Solondz isn’t laughing either.