Michelle Williams

‘Venom: Let There Be Carnage’ is One of the Worst Modern-Era Comic Book Films

HollywoodChicago.com Oscarman rating: 0.5/5.0
Rating: 0.5/5.0

CHICAGO – The best that can be said for “Venom: Let There Be Carnage” is that it is mercifully short. Otherwise this is an appalling incomprehensible mess of misbegotten ideas, uninspired action sequences, and truly woeful performances. Those expecting some comic book fun are treated instead to the bizarre odd couple act of Tom Hardy arguing with himself …

Spreading Comic Book Fatigue to Everyone, ‘Venom’ Poisons the Well

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – I was one of the last sentinels; a conscientious objector in the war against comic book films. The handful of these that come out yearly had yet to weigh heavy on my film soul, especially when so many of the newer ones creating unique experiences, like “Deadpool” and “Thor: Ragnarok”. Even DC films, in all their failure, are products of their time. “Venom” changed all that.

Amy Schumer is Empowering in ‘I Feel Pretty’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It is a neutered Amy Schumer who is portraying her latest character… a schlumpy woman who lacks the confidence to break out of her shell. It takes the most sitcomish of all actions, the whack on the head, to motivate her that she is one of the most beautiful woman in the world. This empowers the story of “I Feel Pretty.”

‘All the Money in the World’ Has a Soft Landing

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – A bitter and old rich man won’t take responsibility for the co-opting of something he is directly connected to. Is this the Trump administration or “All the Money in the World”? Christopher Plummer portrays mogul J. Paul Getty, trying to steer clear of his grandson’s kidnapping.

Energy of Visual Cinema is the Power of ‘Wonderstruck’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In one of the coolest visual films of the Fall Season thus far, “Wonderstruck” is another winner from director Todd Haynes (“Carol”), who adapts a Young Adult graphic novel by Brian Selznick (who also wrote the screenplay). The wonder of it all, baby.

Casey Affleck Anchors ‘Manchester by the Sea’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Tis the season for earnest character studies, and Casey Affleck in “Manchester by the Sea” has a doozy. Portraying a Boston guy with a mountain of sadness within, Affleck harbors the range of emotions like a coiled snake ready to strike, but manages to keep it all undercover.

Story Dims Visionary ‘Oz the Great and Powerful’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Oz the Great and Powerful” is a great and powerful visual and 3D experience. It expands the landscape of what cinema can produce in a visceral and evolutionary way. But a great film also needs a great story, and this Land of Oz tale is not equivalent to the awe-inspiring imagery.

‘Take This Waltz’ with Michelle Williams, Seth Rogen

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Sarah Polley’s “Take This Waltz” both illustrates its director’s uniquely confident vision as a filmmaker and her room to grow as a screenwriter. Despite the best efforts from a very talented cast led by a fearless performance from Michelle Williams, Polley’s film is frustrating in its inability to reflect the real world.

Michelle Williams is Luminous in ‘My Week With Marilyn’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Bringing the popular culture past back to life in a movie is always a tricky proposition. No matter what, there are always inevitable comparisons to the real thing. They don’t come any more really famous than Marilyn Monroe, and Michelle Williams takes on a portrayal that exemplifies, honors and humanizes the iconic star in “My Week with Marilyn.” 

‘Meek’s Cutoff’ Turns Physical Journey Into Riveting Spiritual Drama

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Very few films have ever conveyed an impending sense of doom as successfully as Kelly Reichardt’s stunningly accomplished “Meek’s Cutoff,” a journey into the past that has resonance for any era. Which way do you go when you’ve lost the map? Who do you trust when you can’t see beyond the horizon? How does man simply keep moving forward when it’s so unclear where we’re going?

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  • Midnight Mass

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