Star Wars

They Must Be Crazy! On-Air Film Review of ‘New Gods: Yang Jian’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on January 19th, 2023, reviewing “New Gods: Yang Jian” another in a series of animated features by director Ji Zhao. In select theaters beginning January 20th.

'Ralph Breaks the Internet' is a Mature, Bittersweet Heart-breaker

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – The internet we know today is a fairly young invention full of some of the greatest conveniences known to man, but also some of the greatest distractions and nuisances currently in our lives. “Ralph Breaks the Internet” embodies just that, and while it doesn’t quite reach the high score of its predecessor, the maturity and wisdom displayed in it more than makes up for it.

Story is Just a So-So for ‘Solo: A Star Wars Story’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Solo: A Star Wars Story” is one intergalactic space adventure that sadly never makes the jump to light speed. The end result Is not awful, it’s not great, it’s just kinda okay… it slavishly attends to the beats hinted at in the original trilogy without offering much in the way of surprises, or freshness.

A Sci-Fi Dream is Celebrated in ‘Jodorowsky’s Dune’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Should Alejandro Jodorowsky have been able to direct his psychedelic adaptation of Frank Herbert’s “Dune”, the results would’ve been less of our planet compared to films like “Blade Runner” or “Star Wars”. Prismatic spacecrafts and golden landscapes would have filled Jodorowsky’s mad canvas, as created by stargazing designers like Jean Giraud and H.R. Giger.

‘John Carter’ is Poor Man’s ‘Star Wars,’ ‘Avatar’ With Kitschy Taylor Kitsch, Soft-Porn Lynn Collins

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Usually it’s critics critically flogging a film when we say it weakly lacks originality and borrows too heavily from others. Disney’s “John Carter” attacks that classic grumble by promotionally comparing itself to “Star Wars” and “Avatar” before critics even had a chance to deduct points for it.

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