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Interviews: 53rd Chicago International Television Awards on Mar. 23, 2017

CIFF TV Awards 2916

CHICAGO –The 53rd Chicago International Television Awards, a companion celebration to the Chicago International Television Festival – and presented by Cinema/Chicago, the organization who presents the Chicago International Film Festival – will take place Thursday, March 23rd, 2017, and will honor entertainment reporter Dean Richards, advertising guru Joe Sedelmeier and the newly-formed-but-already-influential Amazon Studios. The entire television festival will take place from March 21st to the 23rd at the AMC River East 21, and screenings are free and open to the public. Click here for a complete schedule and details.

Interview: Christine Dudley, Director of The Illinois Film Office

Christine Dudley, Director of the IFO

CHICAGO – When filmmakers are searching for the “rules of the road,” when seeking to produce in Chicago or elsewhere in Illinois, one of the stops they need to make is with The Illinois Film Office. The Film Office is part of the state’s Department of Commerce, and not only takes care of production coordination, but the economic incentives for film, television and advertising in the area. Since 2015, the Director of The Illinois Film Office has been Christine Dudley.

Interviews: Women in Film Chicago 2016 Focus Awards Honorees

CHICAGO – It was a celebration in late January for Women in Film Chicago, as the organization showcased notable women in media with their annual Focus Awards. Advertising guru Jean Batthany, director Kris Swanberg, Editor Kathryn Hempel and writer/actress Megan Mercier were the honorees.

Interview: Filmmaker Darryl Roberts on ‘America the Beautiful 3’

CHICAGO – Filmmaker Darryl Roberts has been on an eight-year journey to chronicle the influence of corporations, advertising and images on today’s teenagers. After releasing the first two “America the Beautiful” documentaries, his latest – and potentially most controversial – is “America the Beautiful 3: The Sexualization of Our Youth.”

Slideshow: Women in Film Chicago 2014 Kick-Off Party

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Women in Film Chicago 2014 Kick-Off Party at Leviathan.

CHICAGO – For over 30 years, Women in Film has been building a global community of film, television, advertising, digital and on-screen media professionals. The Chicago chapter is a vibrant part of that community, and on January 23rd Women in Film Chicago began the new year with their 2014 Kick-Off Party.

TV Review: TNT‘s ‘Trust Me’ Still Needs a Little Work, But Deserves Another Look

Trust Me
HollywoodChicago.com Television Rating: 3.5/5.0
Television Rating: 3.5/5.0

CHICAGO – Has TNT’s “Trust Me” lived up to the potential of its cast, concept, or even its clever pilot? With the tenth episode of the first season - “Thanks, I Needed That” - about to air and the season finale only two weeks away, it’s time to take another look at this show and see if it’s made good use of one of the most high caliber ensembles on television.

Excellent Ensemble, Quality Writing Click on TNT’s ‘Trust Me’

HollywoodChicago.com Television Rating: 3.5/5.0
Television Rating: 3.5/5.0

CHICAGO – We have good news for fans of “Will & Grace” and “Ed”. The stars of those two shows have been lucky enough to have lightning strike their careers again with TNT’s “Trust Me”.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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