CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – Taking on the variance of choice in a very unique and compelling way, “Train Station” was interpreted through 40 filmmakers in 25 countries, following a character – The Person in Brown – in a singular story that flexes and changes as the role is exposed. Chicago was one of those filming locations, and “Train Station” will screen here at the Music Box Theatre on Wednesday, February 15, 2017.
CHICAGO – Women in Film Chicago (WIFC) continues its role as one of the best resource and advocacy groups for women filmmakers and their supporters. The organization has roots to the 1970s, when the first WIFC group was formed in Los Angeles, and the Chicago chapter has experienced strong growth, both in numbers and what it offers to its membership. The WIFC will be celebrating all of this with their Open House, January 26th, 2017, at Columbia College in Chicago (details below).
CHICAGO – Bringing the musical movie genre back requires a bit of nostalgia, a nod to modernity and always old fashioned star power. Writer/director Damien Chazelle (“Whiplash”) combined all three to produce “La La Land,” with Emma Stone and Ryan Gosling as star-crossed lovers. Rosemarie DeWitt also has a featured role.
CHICAGO – Although Jonathan Gold is not a household name, his food writing and criticisms have influenced Los Angeles palates for a generation. He is the only food critic to have ever received the Pulitzer Prize, and he is profiled in a new documentary by director Laura Gabbert entitled “City of Gold.”
CHICAGO – If you’re lucky enough, you’ll never know what it’s like to grow up in a poor American neighborhood. But what if the notions of such societies are flipped on its ear, and what if the message draws attention to our current perceptions of race? This is what the new film “Dope” conveys.
CHICAGO – There is a moral darkness in director David Cronenberg’s “Maps to the Stars” that is hard to shake. It is filled with circumstance and souls right at the edge of insanity, polluted by an atmosphere that doesn’t give them much of a chance. The apocalypse is now, and living in Los Angeles.
CHICAGO – This film can be defined as “Network” meets Norman Bates, but it also exposes virtually all our modern sins, in a chilling story about a loser who spouts business self help while taping bloody crimes that sell on the morning news. Jake Gyllenhaal is the “Nightcrawler.”
CHICAGO – “The Call” rises above the usual crime drama for a couple of reasons. First, it is a thriller that runs at a breakneck speed, using the driving culture of Los Angeles in a cat-and-mouse chase. Secondly, it symbolically emphasizes the plight of women, and honors their empowerment.
CHICAGO – Halle Berry has had a career of diverse and award-winning roles, and takes on another provocative character in the new movie, “The Call.” Her co-star in the film is Morris Chestnut, a versatile lead and character actor with films as varied as “Boyz n the Hood’ and “The Best Man.” They both honor the acting craft.
CHICAGO – In the genre known as the cop movie, there are expectations. There will be street evil, informants, ride-alongs and camaraderie. What is surprising and welcome in “End of Watch” is how it takes all those elements and expands them with an emotional link between the cop partners, portrayed by Jake Gyllenhaal and Michael Peña .