Eddie Redmayne

Rating: 3.0/5.0

CHICAGO – “Fantastic Beasts: The Crimes of Grindelwald” is like the “Joey” of film franchises, a spinoff which only exists because of its tangential connections to a better (and more beloved) property. But since this is our only current filmed connection to the “wizarding world of Harry Potter,” it’ll have to do.

Rating: 5.0/5.0

CHICAGO – Humor flows from one individual, and reaches another. Whether the receiver laughs or not is subjective, based on experiences and worldview. It can be agreed, however, that animator Nick Park (“Wallace & Gromit”) is hilarious, and he’ll make the world laugh in “Early Man.”

Rating: 3.5/5.0

CHICAGO – It’s been five years since the last Harry Potter film, and for fans eager to scratch that itch for a dreamworld of magic again “Fantastic Beasts and Where To Find Them” will probably suffice. It’s this story’s tangential connection to the Harry Potter universe that is its biggest asset – but the film unfortunately can’t muster up much wonder on its own.

Rating: 2.0/5.0

CHICAGO – “Jupiter Ascending” is certainly one of the oddest and densest of sci-fi movies, this side of “Dune,” and has some of the most laughable acting and dialogue seen in a major film in awhile. But the worst offense is that the film is dull, and practically without emotion or human empathy.

Rating: 3.5/5.0

CHICAGO – The life story of iconic physicist Stephen Hawking is given a well-deserved cinematic treatment this weekend with “The Theory of Everything,” an earnest presentation of an existence that defies the usual. As his personal journey required the care-taking of others, the film is not adapted from something Hawking wrote, but from his wife Jane’s personal account, “Traveling to Infinity: My Life with Stephen.”

Rating: 5.0/5.0

CHICAGO – Tom Hooper’s “Les Misérables,” the best movie musical in over a decade, is what a musical like this should be – unabashed, unashamed emotion painted in vibrant, broad colors across a massive screen. It is gloriously bereft of the cynicism that has sapped so many stage-to-film adaptations from achieving the heights of their source material and features some of the most striking performances in the history of the genre.

Rating: 2.0/5.0

CHICAGO – It’s understandable that people from the Southern or rural United States would criticize the general media. With films like “Hick,” which generally portray them as idiots or sociopathic, there is no balance or honest characterizations. Chloe Moretz, Blake Lively, Eddie Redmayne and Alec Baldwin add their take on it all.

Rating: 4.5/5.0

CHICAGO – Bringing the popular culture past back to life in a movie is always a tricky proposition. No matter what, there are always inevitable comparisons to the real thing. They don’t come any more really famous than Marilyn Monroe, and Michelle Williams takes on a portrayal that exemplifies, honors and humanizes the iconic star in “My Week with Marilyn.” 

Rating: 3.0/5.0

CHICAGO – The national acting treasure Julianne Moore never shies away from a performance challenge.

From her memorable exposure in Robert Altman’s “Short Cuts” to her willingness to go all the way in Paul Thomas Anderson’s “Boogie Nights,” Moore has proven that true vulnerability in a role requires the ability to bare – and bear with – all.