Kate Beckinsale

Rating: 1.5/5.0

CHICAGO – Paul Verhoeven’s “Total Recall” has been run through a machine and turned into a personality-less, numbing exercise in CGI action with a complete lack of any characters worth giving a damn about and a totally wasted opportunity at social commentary. Sure, seeing Jessica Biel fight Kate Beckinsale while Colin Farrell punches a robot in a speeding space elevator has something inherent that appeals to the 12-year-old boy in me but that doesn’t make it filmmaking. No, filmmaking and Len Wiseman are two things that don’t really go together.

Rating: 1.5/5.0

CHICAGO – There is a near-great movie opening this weekend that features a bad-ass, gun-toting chick who defeats any obstacle placed in her way. Despite what the advertising may have you believe, that movie is not “Underworld: Awakening” (Hint: It’s “Haywire”).

Rating: 2.5/5.0

CHICAGO – One way to craft an unforgettable, undeniably adept film is to make a new one. Hollywood views that as financially risky, though, and it often doesn’t happen without being based on a book with a built-in audience or a film that’s already an international box-office success.

Rating: 1.0/5.0

CHICAGO – Producing more derisive snickers than gasps and more snores than thrills, Dominic Sena’s “Whiteout” is a massive waste of time, a predictable, dull, and hysterically cliched slice of junk that should be run out of theaters before month’s end.

CHICAGO – Staying sane is truly an edge-of-the-knife proposition. We are all the sum of our past environments, our present circumstances and our future worries. The sludge that is generated by such a mixture becomes the psyche that’s ready to interact with other psyches we deem important or are forced to be around through family or commerce.

CHICAGO – Woody Allen – the most prolific American writer/director of the last quarter century – has a desire for a particular expression in this last part of his epic career.