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CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the doc series “Charlie Hustle & the Matter of Pete Rose,” about the rise and bitter fall of the major league legend, the MLB’s all-time hits leader, only to be banned from the sport because of gambling. Streaming on MAX and on HBO since July 24th.
After 19 Years, ‘Indiana Jones and the Kingdom of the Crystal Skull’ Exhumes Venerated Roots
Submitted by HollywoodChicago.com on May 22, 2008 - 12:00am
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Read Adam Fendelman’s full “Indiana Jones and the Kingdom of the Crystal Skull” review.
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CHICAGO – After such a long respite from the beloved film progression, I was initially just as skittish about seeing Harrison Ford back in the Indy saddle as I was watching Sylvester Stallone back in the ring in “Rocky Balboa” in his 2006 comeback and then again in 2008 in his “Rambo” return.
Ultimately, though, I had faith in director Steven Spielberg not to royally torpedo the monolithically anticipated “Indiana Jones and the Kingdom of the Crystal Skull,” which resurrects the Chicago-born, 65-year-old Harrison Ford as one of my favorite film characters of all time.
Spielberg delivers. Thank the heavens.
In grappling with Ford’s real-life age, David Koepp’s screenplay comically writes in subtle jabs to wrangle with the reality. Just like Stallone didn’t try to hide it in “Rocky Balboa” and he instead decided to honestly portray it, so did Ford’s character grow older.
| Read Adam Fendelman’s full review of “Indiana Jones and the Kingdom of the Crystal Skull” in our reviews section.View our full “Indiana Jones and the Kingdom of the Crystal Skull” image gallery. |
Of course, “Indiana Jones and the Kingdom of the Crystal Skull” is still a major Hollywood product and Indiana Jones is still Indiana Jones. He still flings through the air with bird-like grace, whips all obstacles in his way with laser-like precision and is imbued with the film’s classic and campy “kapow!” sound effects. I love ‘em to pieces.
While the character Indiana Jones has had an unfortunate television run by way of Sean Patrick Flanery in his young form from 1992 all the way through 2007, Harrison Ford as the real Indiana Jones we’ve all been enamored with last roughed it up in a major Spielberg production in “Indiana Jones and the Last Crusade” in 1989.
Before that, it was five years earlier in “Indiana Jones and the Temple of Doom” in 1984 and three years earlier in “Raiders of the Lost Ark” in 1981. Yes, that’s three years between the first and second, five years between the second and third and 19 years between the third and the fourth.
 Photo credit: Paramount Pictures |
 Photo credit: Paramount Pictures |
Read Adam Fendelman’s full “Indiana Jones and the Kingdom of the Crystal Skull” review.
The racism of Indiana Jones
White Americans will watch another “Indiana Jones” film tomorrow which follows the exploits of a celebrated grave-robber and destroyer of indigenous cultures. These films consistency portray people of colour in an insensitive fashion and are filled with historical inaccuracies. The white man stole knowledge from Africa and destroyed the great library at Alexandria to hide his crimes. Now he makes films celebrating this kind of thievery.