CHICAGO – In the last several years, how many times have you wanted to shout the “Mad as Hell” movie quote? Well, Invictus Theatre Co. has produced a stage adaptation of “Network” – with that quote shout worthy – at the Windy City Playhouse in Chicago through September 29th. For tickets/details, click HOWARD BEALE.
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Music News: Chicago’s ‘Thirsty Ears’ Classical Music Festival on Aug. 5-6, 2023
Submitted by PatrickMcD on August 5, 2023 - 9:47amCHICAGO – Lollapalooza is not the only music festival in town. Access Contemporary Music (ACM) … a lesson and appreciation conservatory … presents the annual Thirsty Ears” Classical Music Street Festival, bringing the art and “classical gas” to the Ravenswood neighborhood in the Windy City. For more information and performer schedules, click THIRSTY EARS.!—break—>
Film Review: Sprightly Bear Tale ‘Paddington’ is Good Fun
Submitted by NickHC on January 16, 2015 - 12:42pmCHICAGO – It may prove hard to recall an era of talking creatures in live-action movies before the napalm hellfire of “Alvin and the Chipmunks” or “The Smurfs.” But, lest we forget, “Babe” has more Academy Awards than “The Master.” Arriving at the coy and wise time of the film year where expectations are either golden or underneath the barrel, talking bear Paddington arrives stateside as a well-behaved throwback to brighter days for a simple genre, with an efficient sense of humor and a few globs of vision, too.
Film Review: ‘A Late Quartet’ is Passionate Symphony of the Human Condition
Submitted by PatrickMcD on November 3, 2012 - 8:55pmCHICAGO – Those who know the language of music at its highest levels seemingly know the secret of the world. But as “A Late Quartet” demonstrates, they also possess the same human foibles as the rest of us. Philip Seymour Hoffman, Catherine Keener and Christopher Walken portray maestros at an emotional crossroads.
Blu-Ray Review: ‘The Spy Next Door’ Functions as an Ultra-Lame Babysitter
Submitted by mattmovieman on May 20, 2010 - 10:33amCHICAGO – “The Spy Next Door” pairs a man who can’t speak English with three kids who can’t act. They’re forced to recite dialogue credited to three writers who are incapable of writing a single line of wit or originality. Worst of all, the film is directed by a man whose last halfway decent family flick was 1992’s “Beethoven.” Rarely has a mainstream release looked so much like Amateur Hour.
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