CHICAGO – Excelsior! Comic book legend Stan Lee’s famous exclamation puts a fine point on the third and final play of Mark Pracht’s FOUR COLOR TRILOGY, “The House of Ideas,” presented by and staged at City Lit Theater in Chicago’s Edgewater neighborhood. For tickets/details, click HOUSE OF IDEAS.
Jurnee Smollett
Podtalk: Writer/Director Minhal Baig of Set-in-Chicago ‘We Grown Now’
Submitted by PatrickMcD on April 17, 2024 - 9:08amCHICAGO – There was once a Chicago housing project called Cabrini Green, and its legacy was a damning testament to Chicago’s mismanagement of housing for the poor in general. It’s gone now, the victim of gentrification, but its memory lives on in “We Grown Now,” a new release from writer and director Minhal Baig.
On-Air Film Review: ‘The Burial’ is a Sustained Objection
Submitted by PatrickMcD on October 17, 2023 - 2:15pmCHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on October 12th, 2023, reviewing “The Burial,” a courtroom drama featuring Jamie Foxx and Tommy Lee Jone. Streaming on Prime Video since October 13th.
DVD, TV Review: Final Season of NBC’s Beloved ‘Friday Night Lights’
Submitted by BrianTT on April 15, 2011 - 1:38pmCHICAGO – Even diehard fans of the show have to be stunned that “Friday Night Lights” made it five seasons. And perhaps the program’s most enduring legacy will be that it changes the delivery model. The fifth and final season has already aired on DirecTV’s 101 and starts playing tonight, April 15th, 2011 on NBC, but is also already available on DVD. Yes, the shows haven’t even aired on network TV but they’re already at the DVD store. Times are changing.
TV Review: Little Defense For Awful ‘The Defenders’ With Jim Belushi
Submitted by BrianTT on September 22, 2010 - 10:32amCHICAGO – Calling CBS’ “The Defenders” a drama might be a bit of a stretch. But it’s not funny enough to be a comedy either. Instead it falls into the limp valley in between choosing an occasional bit of manipulation to try and qualify as drama but also relying heavily on the comic timing of its stars, Jim Belushi and Jerry O’Connell, but failing as both.
