Marvel Studios

CHICAGO – Summer movies should be fun, and the superhero craze has Marvel Studios combining their adventures with a little joy. “Spider-Man: Homecoming” mostly contains that big high spirit, with Tom Holland portraying the title character with youthful zeal and energy.

CHICAGO – When I first saw “Guardians of the Galaxy” I was unfamiliar with the comic book source. I enjoyed the film, but worried it might be just a little too nerdy and obscure to develop a following. Now with “Guardians of the Galaxy Vol. 2,” the series has solidified itself as the class clowns of the Marvel Studios cinematic universe, and it’s been embraced for it.

CHICAGO – We’ve reached a point where comic book films are no longer a scarcity, but an eventuality. With several coming out every year, each one competes for our attention even though the originality behind their approach has the opposite effect. A great cinematic fatigue is almost upon us, but “Doctor Strange” shows a promising deviation that could possibly alter the franchise’s fate.

CHICAGO – “Captain America: Civil War” is more of an “Avengers” movie than it is a Captain America movie. But that’s okay because this is easily the best Avengers movie Marvel Studios has ever made, and it also might be the best movie the studio has ever made.

CHICAGO – Look. We all know sequels usually suck. And blockbuster films often get panned for overprioritizing special effects at the expense of a well-written story and character development. Even when a story in a big-budget film is redeeming, it’s practically impossible not to shoot holes through it.

CHICAGO – “Guardians Of The Galaxy” is a gleeful Star Wars knockoff dressed up in Marvel Comics clothing. It occupies the same universe as Marvel’s other properties, but its tone is decidedly sillier. It has a spirit more akin to the later joke heavy installments of the Star Trek franchise or low budget exploitation mogul Roger Corman’s “Battle Beyond The Stars” than the ponderous pontificating of “Thor.”

CHICAGO – With mammoth special effects budgets carelessly puked into blockbuster films these days without story or heart, it’s effortless to wow audiences with beguiling explosions and one or two trademark, “The Matrix”-like innovations.

CHICAGO – Even though the summer movie season is barely halfway over, it seems clear that, when we reminisce about summer 2011 later this year, one of the biggest surprises of the season will have to be the simple fact that it was possible to make a “Thor” movie that actually works.