Neon

CHICAGO – Today is the 50th Anniversary of astronaut Neil Armstrong’s first step on the moon, and an excellent documentary on the subject – simply titled “Apollo 11” is doing a “one day only” showing on July 20th, 2019. For theater locations and show times around the country (type in your area), click here.

CHICAGO – The beach life is the paradise that most Americans aspire to, and either get it when they’re not ready or when they’re too old. The off-kilter director Harmony Korine (Spring Breakers) presupposes all of the life through Matthew McConaughey, in an incredible tour de farce called, appropriately, “The Beach Bum.”

CHICAGO – In the frozen emotional landscape of America, where mass shootings have become as regular as the sunrise, what better symbol for this madness is there than a pop star? Natalie Portman is that singer in “Vox Lux,” a victim and a perpetrator in the sin of mass death, and the soundtrack of gunfire.

CHICAGO – The eternal debate of what affects human development more, our nature or our nurturing, opens up again in the wild story of “Three Identical Strangers,” a new documentary about triplets who were separated at birth, only to discover each other by chance and uncover some difficult truths about that separation.

CHICAGO – We have arrived at point where yesterday’s trash TV has become today’s critical darling of the film festival circuit. As the trailers proclaim, “I, Tonya” desperately wants to be the “‘Goodfellas’ of Figure Skating,” but one of the biggest problems I had is that it’s just trying too hard.

CHICAGO – Aubrey Plaza (“Parks and Recreation”) is an actor who always seems to do something memorable in her performances. In “Ingrid Goes West,” she carries an entire movie on her quirky and sometimes disturbing character… that of a bipolar stalker who can’t find balance.

CHICAGO – Dystopia has been dissed out. Mining the negative vibe future world can’t seem to touch the rich creative vein any more and the reserves seem dry. Writer/director Ana Lily Amirpour may have an element within her interpretation that is hard core, but it’s not enough to understand the overall vision of her tomorrow world, except that we’re all part of “The Bad Batch.”

CHICAGO – The dystopia – or negative future world – is a genre staple, from “Soylent Green” to “Max Max.” The latest film to ponder the possibilities is “The Bad Batch,” from writer/director Ana Lily Amirpour. This is her sophomore feature, after “A Girl Walks Home Alone at Night,” and features Suki Waterhouse in the lead role.