CHICAGO – In anticipation of the scariest week of the year, HollywoodChicago.com launches its 2024 Movie Gifts series, which will suggest DVDs and collections for holiday giving.
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Interview: Nick Kroll Starts it Up in ‘Adult Beginners’
Submitted by PatrickMcD on April 23, 2015 - 10:15pmCHICAGO – Finding the adult button and hitting “on” is becoming more of a challenge as the tech generation morphs into their thirtysomething era. Comedian Nick Kroll (“Kroll Show,” “The League”) ponders this situation in the new film “Adult Beginners,” a primer on growing up and moving on.
Film Review: Tense Creepy Factor Along the Way for ‘It Follows’
Submitted by PatrickMcD on March 22, 2015 - 9:48amCHICAGO – There is a particular atmosphere in “It Follows,” that stalks a viewer long after the credits recede. That is a fine legacy for a horror film, which contains symbolic elements of life itself, and some graveyard humor that breaks the agitation. Yet it also relies on the same old, same old.
Film Review: Hidden Gem ‘The Last Five Years’ Launches Anna Kendrick as a Serious Singer
Submitted by HollywoodChicago.com on February 22, 2015 - 2:27pm- Adam Fendelman
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- Bettina Bresnan
- Cassandra Inman
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CHICAGO – Perhaps you’ve heard Anna Kendrick dabble in that thing called “singing” with her cutesy “Cups” on the radio, her runaway princess role in “Into the Woods” or “Pitch Perfect”.
Interview: ‘The Last Five Years’ Director Richard LaGravenese
Submitted by PatrickMcD on February 19, 2015 - 8:13amCHICAGO – The movie musical seems to revive every year, and writer/director Richard LaGravenese puts his spin on the genre with a modern touch. A couple, portrayed by Jeremy Jordan and Anna Kendrick, goes through the ups and downs of a relationship while belting out appropriate tunes in “The Last Five Years.”
Film Review: More Questions Than Answers in ‘Supermensch: The Legend of Shep Gordon’
Submitted by PatrickMcD on June 16, 2014 - 1:48pmCHICAGO – Not much is really revealed about the subject of the documentary “Supermensch: The Legend of Shep Gordon,” co-directed by comedian Mike Myers. Shep is a rock star agent, Shep gets rich, Shep shares his Hawaiian beach condo with big stars, Shep represents gourmet chefs, Shep likes to cook and Shep strangely wants kids, despite being in his sixties and not being able to maintain any domestic relationship. There is no there in this film, only the spoils of good representation.
Film Review: ‘Fed Up’ is a Cautionary Story for All of Us
Submitted by PatrickMcD on May 23, 2014 - 9:51amCHICAGO – Here’s the deal, America. We’ve got some powerful mega-corporations who manufacture food to make a profit. What makes us buy food? Taste. The reason the obesity rates are skyrocketing has to do with the additives – mostly sugar – that these mega-corps are adding to give their food taste. It’s all exposed nicely in the new documentary, “Fed Up.”
Film Review: Errol Morris’ ‘The Unknown Known’ Seeks Donald Rumsfeld
Submitted by PatrickMcD on April 21, 2014 - 4:38pmCHICAGO – The reason some people fit into government service is fairly well defined in the latest film of iconic documentary maker Errol Morris. His profile of ex-Secretary of Defense Donald Rumsfeld in “The Unknown Known” is a tale of history – affected by war, death, torture and justification.
Film Review: ‘Inequality for All’ Becomes a Cry for Democracy
Submitted by PatrickMcD on September 28, 2013 - 5:03amCHICAGO – One of the more underreported stories of the past year is that income inequality – the gap between the wealthiest one percent in the U.S. versus the rest of the population – is at historic highs. When that balance of power is tilted, the result is documented in the new film, “Inequality for All.”
Film Review: Notoriety Triggers the Breaking Point in ‘Lovelace’
Submitted by PatrickMcD on August 9, 2013 - 8:19amCHICAGO – It was one of the strangest star-is-born stories in show business history. One porn film – “Deep Throat” – permeates the American consciousness at precisely the right time. The “lead” actress in the film becomes a household name – and then becomes a victim of it – in ‘Lovelace.’