Short Term 12

“Short Term 12” is a special film. If through some true miracle, Brie Larson’s name is announced on Oscar nominations morning, that sound you hear is me screaming in childish glee. She certainly deserves it for this daring, honest piece of work, one that dares to suggest that there are numerous ways to stop the emotional bleeding. It could be rap, it could be art, it could be taking a bat to a car, or it could be love. Destin Cretton won the Chicago Film Critics Association Award for Most Promising Filmmaker and it was one of this year’s winners of which I was most proud we were recognizing. This is a special movie.

Steve McQueen’s harrowing “12 Years a Slave” was the big winner at an awards dinner held on December 16, 2013 by the Chicago Film Critics Association, of which HollywoodChicago.com writer Brian Tallerico is the Vice President and HC film critics Adam Fendelman & Patrick McDonald are voting members.

It was too good a year for ten. The best year in cinema since 2007 saw such a diverse, fascinating array of art that included amazing works from some of our most well-known directors (Joel & Ethan Coen, Martin Scorsese, Alexander Payne, Hayao Miyazaki) alongside its newer voices (Shane Carruth, Destin Cretton, Joshua Oppenheimer, James Ponsoldt).

CHICAGO – There are certain jobs that I know that I could not do not because of the physical requirements but the emotional baggage I would take home with me at the end of the day. The brilliant, moving “Short Term 12” captures one of these jobs – people who look out for abandoned kids, many of them abused, addicted, and troubled the point of pure heartbreak.