Xavier Dolan

Film Review: Son Can’t Rise Beyond His Fate in Emotional ‘Mommy’

Mommy

CHICAGO – One of the odd unexplainable quirks of human existence is the shaping, variations and thoughts of our inner being. The physicality in the structure of the grey matter of the brain, with the slightest imperfection, can make the difference in a lifetime of behavior and perspective. Sometimes it can work out, and sometimes different consequences are created or destroyed, like the story of Diane Després in “Mommy.”

Blu-ray Review: Xavier Dolan’s Personal Vision of ‘Laurence Anyways’

Laurence Anyways

CHICAGO – “Laurence Anyways” is a carte blanche project of passion from Québécois director Xavier Dolan, a 24-year-old with two feature films (“I Killed My Mother,” “Heartbeats”) already under his belt. Close to a total three-hour running time and filled with numerous extended musical interludes, it is a bulky movie that could certainly be significantly slimmed down and still be able to leave the same size bruise. For Dolan, however, such hugeness is yet another statement from him and his growing understanding of filmmaking, this project a showcase for his current aesthetic artiness as filmmaker first, storyteller second.

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