CHICAGO – Excelsior! Comic book legend Stan Lee’s famous exclamation puts a fine point on the third and final play of Mark Pracht’s FOUR COLOR TRILOGY, “The House of Ideas,” presented by and staged at City Lit Theater in Chicago’s Edgewater neighborhood. For tickets/details, click HOUSE OF IDEAS.
HollywoodChicago.com Movie Reviews
Suspenseful ‘Life’ is Tense, Compelling Science Fiction
Submitted by PatrickMcD on March 25, 2017 - 8:14amRating: 4.0/5.0 |
CHICAGO – Combining the invasion elements of “Alien” with the life-raft-in-space morbidity of “Gravity,” the new film “Life” maintains a grip from the enlightened beginning to the twisted end. Mars is the origin, so the film joins “The Martian” and “The Space Between Us” in sourcing the red planet.
‘Power Rangers’ Reboot is a Stunning Bore
Submitted by PatrickMcD on March 24, 2017 - 7:18amRating: 1.5/5.0 |
CHICAGO – The big budget “Power Rangers” reboot tests the limits of just how pedestrian a supposed $100 million dollar blockbuster can be. Part of that is due to the fact that superhero movies are a dime a dozen these days, and a movie has to have something more than just silver screen quality special effects to set it apart. But looking at the finished project – with its flat performances, sluggish pace, and ho-hum-yet-costly effects, it’s hard to see who was exactly asking for this anyway?
Kristen Stewart is Hauntingly Captivating in ‘Personal Shopper’
Submitted by JonHC on March 23, 2017 - 2:20pmRating: 3.0/5.0 |
CHICAGO – I’ve had a deep fascination with ghost stories since I was a kid. There is something both interesting and terrifying knowing that there are often unseen forces we could be encountering in our everyday life. Olivier Assayas creates an unexplainable phantasm thriller in “Personal Shopper” that remains completely captivating throughout even if you don’t understand what you just experienced.
‘The Sense of an Ending’ Ponders a Vague Mystery
Submitted by PatrickMcD on March 17, 2017 - 10:56amRating: 3.5/5.0 |
CHICAGO – “The Sense of an Ending” is a highfalutin title, automatically putting most folks into book club mode. It is adapted from a novel, and the narrative has the same page turning-type rhythm. An old man, portrayed by Jim Broadbent, is encountering his past, while his current situation remains untenable.
Flawless ‘Beauty and the Beast’ is a New Classic
Submitted by PatrickMcD on March 16, 2017 - 3:37pmRating: 5.0/5.0 |
CHICAGO – Do not doubt the power of live action to create a new atmosphere of joy and…dare I say it…beauty. The re-imagining of the animated classic “Beauty and the Beast” is everything that the previous was and much more. It packs a true and emotional wallop that follows through to the end.
Emotionally Animated ‘My Life as a Zucchini’
Submitted by PatrickMcD on March 11, 2017 - 9:40amRating: 3.5/5.0 |
CHICAGO – Leave it to the Europeans to inject some realistic drama into the art of animation. The recently Oscar nominated “My Life as a Zucchini” is opening in Chicago this weekend, and tells the story of parental abandonment, orphanages and finding family. Co-produced by France and Switzerland, it uses a familiar claymation stop-motion style for more emotional resonance.
Rousing Adventure Awaits in ‘Kong: Skull Island’
Submitted by PatrickMcD on March 10, 2017 - 10:48amRating: 4.0/5.0 |
CHICAGO – King Kong is a wholly generated creature of the movies. Ever since the gorilla legend came to life on screen way back in 1933, he has appeared in countless official remakes, cheap exploitation flicks and now as a symbol of American overreach. He still rules in “Kong: Skull Island.”
As Comedy, ‘Table 19’ Only Serves Hor d’Oeuvres
Submitted by PatrickMcD on March 4, 2017 - 7:37amRating: 2.5/5.0 |
CHICAGO – “Table 19” is an example of a movie that doesn’t try to do too much. It simply takes its little idea and lets it play out, without the forced subplots and desperate stabs of fake urgency so many studio comedies resort to – it’s one part aimless hang out comedy, one part rom-com. It is an amusing-if-forgettable 87 minutes with a group of funny people who get more laughs than they probably should have from such thin material.
‘The Shack’ is About Spirituality, Not Filmmaking
Submitted by PatrickMcD on March 3, 2017 - 10:03amRating: 2.5/5.0 |
CHICAGO – To create spirituality from tragedy is like shooting the proverbial fish – a prominent symbol for Christianity – in a barrel. “The Shack” is based on a popular novel, and doesn’t try to do anything different or cinematic with a man encountering the Holy Trinity after a horrific incident.
‘Logan’ Bares Its Sharp Claws & Eviscerates Us Emotionally
Submitted by JonHC on March 2, 2017 - 4:46amRating: 4.5/5.0 |
CHICAGO – There is a war raging in the comic book cinematic universe where filmmakers think that these kinds of films should embrace their over the top (verging on campy) nature while others think they should be darker and made deathly serious. “Logan” proves that they are both wrong as it strikes a balance between all of those elements while remaining true to the character.
‘Get Out’ is Funny, Scary & Tells Us About Us
Submitted by PatrickMcD on February 24, 2017 - 11:08amRating: 4.5/5.0 |
CHICAGO – When he got his chance, writer/director Jordan Peele (“Key & Peele”) completely understood what he had to do – combine his skewered hilarity, love of horror movies and true social conscience, and put them all into one great movie. Ladies and germs, “Get Out.”
Odd Times at the Cinema with ‘The Great Wall’
Submitted by PatrickMcD on February 17, 2017 - 8:17pmRating: 3.5/5.0 |
CHICAGO – Taking a concept higher than the Wall that inspired it, and mostly succeeding, “The Great Wall” gets a nod as one of the oddest stories in a long time. Pre-supposedly based on a “legend,” it brings Matt Damon into ancient China to help battle lizard monsters at the Great Wall. Book it.
‘A Cure For Wellness’ Provides a Much-Needed Temporary Fix
Submitted by JonHC on February 17, 2017 - 12:50pmRating: 3.0/5.0 |
CHICAGO – Gore Verbinski is no stranger to the spooky. He always creates these tense, terror-filled scenes that effectively frighten us. His films, from “Ring” to “Rango”, each are compelling enough to keep our attention, not matter how absurd they transform into. Boy, does he ever deliver in the gorgeously grotesque “A Cure for Wellness.”