HollywoodChicago.com Movie Reviews

‘The Girl on the Train’ Favors Character Study Over Social Commentary

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Here’s a film that pulls off the tricky feat of moving quickly while taking its time. Like its rollerblading protagonist, “The Girl on the Train” is constantly on the move, hurtling headfirst into a series of interlocking relationships.

No Redeeming Quality to Jennifer Lopez’s ‘The Back-up Plan’

HollywoodChicago.com Oscarman rating: 0.0/5.0
Rating: 0.0/5.0

CHICAGO – “The Back-up Plan,” starring Jennifer Lopez, is spectacularly bad. Filled with leaden, supposedly comedic lines, stupid generalities and no basis in reality, this film ranks first in class for worst of 2010 so far.

Akira Kurosawa’s ‘Ran’ a Must-See on the Big Screen

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Of all the cinematic variations on Shakespeare’s “King Lear,” Akira Kurosawa’s “Ran” is one of the few that, dare I say, improves on the Bard’s original blueprint.

‘The Perfect Game’ Proves That Baseball Fiction is Duller Than Truth

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The 1957 Little League team from Monterrey, Mexico, was the first non-U.S. team to win that league’s World Series. That is a fact. “The Perfect Game” creates a story based on that fact that is as improbable as a team from Mars winning the big game.

‘Dancing Across Borders’ Documents a Man’s Bittersweet Triumph

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – It’s rather serendipitous that the new film “Dancing Across Borders” will have it’s Chicago premiere at the Gene Siskel Film Center, which is literally around the corner from the Oriental Theater’s production of “Billy Elliot.”

Wildly Entertaining ‘Kick-Ass’ Lives Up to Its Title

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – With a half dozen superhero movies every year that feel as if they were created by a Hollywood blockbuster machine, it’s so refreshing to see one with its own distinct, subversive personality like Matthew Vaughn’s “Kick-Ass”.

David Duchovny, Demi Moore Can’t Keep Up With ‘The Joneses’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Introduced with one of the easier movie pundit headlines ever, “The Joneses” indeed cannot keep up with itself, despite a sharp script and the plausible efforts of David Duchovny and Demi Moore.

Chris Rock, Martin Lawrence Are Stiff in Tepid ‘Death at a Funeral’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – When some of the funniest comedians in the business – Chris Rock, Martin Lawrence, Tracy Morgan – can’t deliver a absurdist comedy about family secrets, then there truly is “Death at a Funeral.”

‘The Eclipse’ Blends Human Drama With Spooky Horror

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – I often find that the most interesting characters in a ghost story are not the ghosts themselves, but the humans who encounter them. Ghosts are reflections of a past we are unwilling to depart from, even if it halts us from entering the future. It’s a consolation for us to believe that our departed loved ones view us as their “unfinished business.”

‘My Son, My Son, What Have Ye Done’ Inspires Genuine Head-Scratching

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – When David Lynch came to Chicago for an “Inland Empire” screening back in 2007, he offered memorable advice to a moviegoer baffled by his work. He said that his audience should meditate not on the “intellectual experience” provided by his films, but the emotional ideas that they conjure.

Annoyingly Inept ‘After.Life’ Bores Audience to Death

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “After.Life” is one of the first truly awful films of 2010. Its aggressive solemnity combined with its head-slapping silliness will cause most viewers to simply laugh it off the screen. There’s at least two possible ways to interpret its murky story, and they’re both ludicrous.

Touching ‘The Greatest’ With Carey Mulligan Transcends Melodrama

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The surprisingly good “The Greatest” opens and closes with two very different car rides — one silent and mournful and one loud and full of laughter; one on the way from death and one on the way to life. They are bookends for a well-performed tearjerker of the kind that mostly transcends its melodramatic set-up to become something genuinely moving.

Steve Carrell, Tina Fey Go Dutch on the Laughs in ‘Date Night’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – In this schizophrenic film, Steve Carrell and Tina Fey portray a “normal” couple from New Jersey who somehow become Steve Carrell and Tina Fey once they go on-the-town in New York City during “Date Night.”

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