CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the streaming series “Emily in Paris” the adventures of Emily Cooper and her fanciful/fashionable Paris friends and lovers, now in its fourth season. Episodes 1-5 currently on Netflix.
David Lynch
From Both Sides Now! On-Air Review of ‘The Other Me’
Submitted by PatrickMcD on February 4, 2022 - 11:32am![]() Rating: 3.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on January 27th, 2022, reviewing the new release of “The Other Me,” presented by David Lynch, in select theaters and through Video-On-Demand on February 4th.
Influential Filmmakers Discuss Digital Revolution in ‘Side by Side’
Submitted by BrianTT on September 13, 2012 - 9:53am![]() Rating: 3.5/5.0 |
CHICAGO – We are at the tipping point of a technology that has been used for a hundred years to capture the moving image. Shooting on film is going away as more and more filmmakers use digital technology to tell their stories. How does this change the art form? Is it a creative new landscape or the death of something important?
Natalie Portman, Mila Kunis, Darren Aronofsky Stage Mesmerizing ‘Black Swan’
Submitted by BrianTT on December 2, 2010 - 8:14pm![]() Rating: 5.0/5.0 |
CHICAGO – Darren Aronofsky’s “Black Swan” pulses with the kind of energy and life that we only see from cinema a few times a year. With creative expression rarely seen in American film and one of the best performances by an actress that you will ever see, “Black Swan” is a film that resonates for hours and even days after you see it. You won’t easily shake this masterpiece. And you won’t want to.
‘My Son, My Son, What Have Ye Done’ Inspires Genuine Head-Scratching
Submitted by BrianTT on April 14, 2010 - 10:58am![]() Rating: 2.5/5.0 |
CHICAGO – When David Lynch came to Chicago for an “Inland Empire” screening back in 2007, he offered memorable advice to a moviegoer baffled by his work. He said that his audience should meditate not on the “intellectual experience” provided by his films, but the emotional ideas that they conjure.
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