David Fincher

A Celebration of Pure Cinema in ‘Hitchcock/Truffaut’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In 1966, a breakthrough book about the movies was released, entitled “Hitchcock/Truffaut.” A new documentary explores the actual interviews that were conducted between French new wave director Francois Truffaut and the legendary Alfred Hitchcock, that would become that book.

Influential Filmmakers Discuss Digital Revolution in ‘Side by Side’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – We are at the tipping point of a technology that has been used for a hundred years to capture the moving image. Shooting on film is going away as more and more filmmakers use digital technology to tell their stories. How does this change the art form? Is it a creative new landscape or the death of something important?

David Fincher’s Stunning ‘The Girl with the Dragon Tattoo’

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – David Fincher’s “The Girl with the Dragon Tattoo” comes with waves of expectations from fans of the Stieg Larsson books, the Swedish original films, the director’s previous beloved works, and even drama over a certain national outlet breaking an agreed-upon embargo. Could it possibly live up to the hype? If you can let it go and just appreciate the film for what it is — absolutely.

Incomprehensible Story, Uninteresting Characters Sink in ‘Texas Killing Fields’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Ami Canaan Mann’s “Texas Killing Fields” is further proof of just how difficult it is to do what David Fincher does so well. “TKF” may have echoes of “Seven” and “Zodiac” but none of the character, mood, or even cohesion of those films. The best word to describe this misstep is a “mess” as the movie jumps around between plotlines and characters and never gives the viewer the footing that would make them resonate as something worth caring about or entertaining.

Jesse Eisenberg’s ‘30 Minutes or Less’ is Half Funny, Wholly Disappointing

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The new half-unfunny comedy “30 Minutes or Less” stands as a destructive come down for newly minted star Jesse Eisenberg following his high-profile role as Facebook founder Mark Zuckerberg in David Fincher’s “The Social Network”.

David Fincher’s ‘The Social Network’ is a Rare Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – So many recent films have been called “masterpieces” by critics that the word doesn’t have the power that it once did. And yet there’s sometimes no better way to describe a film. David Fincher’s “The Social Network,” starring Jesse Eisenberg, Andrew Garfield, and Justin Timberlake is a masterpiece.

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  • Importance of Being Earnest, The, Strawdog Theatre

    CHICAGO – Just in time for Pride Month, Strawdog Theatre Co. presents an updated staging of the Oscar Wilde classic, “The Importance of Being Earnest.” Strawdog policy … the tickets are FREE (donations encouraged), but you must put in a reservation by clicking EARNEST.

  • Prodigal Daughter, The

    CHICAGO – One of the open secrets of Chicago is its horrible racist past, which remains like an echo. Playwright Joshua Allen has been exploring this theme in his Grand Boulevard Trilogy – the last chapter talking place during the infamous 1919 race riots – in Raven Theatre’s “The Prodigal Daughter.” For tickets and info, click TPD.

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