Andrew Garfield

‘Silence’ is an Overwrought View of Religious Faith

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – For gosh sakes, someone call the Vatican and make Marty Scorsese an honorary priest. He is overtly fascinated – in this work and his other films – with the notion of religious faith, particular within his Catholic roots. He approaches the subject again in the intense “Silence.”

Big Spectacle, Small Heart in ‘The Amazing Spider-Man 2’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – For a film with so much eye candy that it threatens ocular diabetes, “The Amazing Spider-Man 2” is decidedly low in story rhythm and energy – even with a villain named Electro. The story also has the “three villain syndrome,” which allows for a lack of focus and heart.

‘The Amazing Spider-man’ Lacks Personality Despite Best Efforts by Talented Stars

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – They could have called it “The Meh Spider-man.” While Andrew Garfield, Emma Stone, Denis Leary, Sally Field, and Martin Sheen do their absolute best to elevate one of the most generic and uninspired superhero screenplays since men first put on spandex in front of the camera, they can’t save this wasted opportunity to reboot a franchise in a way that doesn’t feel generated by a committee of Marvel producers.

David Fincher’s ‘The Social Network’ is a Rare Masterpiece

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – So many recent films have been called “masterpieces” by critics that the word doesn’t have the power that it once did. And yet there’s sometimes no better way to describe a film. David Fincher’s “The Social Network,” starring Jesse Eisenberg, Andrew Garfield, and Justin Timberlake is a masterpiece.

‘Red Riding Trilogy’ Simultaneously Captivates, Infuriates

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Much ink has been spilled about how HBO is at the forefront of made-for-TV filmmaking in the world, a fact already demonstrated this year by the brilliant biopic “Temple Grandin” and the stellar WWII mini-series, “The Pacific.”

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