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Chris Rock

Go Dutch! On-Air Film Review of David O. Russell's ‘Amsterdam’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on The Eddie Volkman Show with Hannah B on WSSR-FM (Star 96.7 Joliet, Illinois) on October 7th, reviewing the new all-star cast David O. Russell mystery comedy “Amsterdam,” Currently in theaters.

‘Spiral: From the Book of Saw’ is a Horror Ouroboros Devouring Itself

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – If you find yourself reading this review, you likely understand how much a film can influence society. Despite our best efforts, we don’t get to decide how or why something gets added to our zeitgeist. Its staying power can extend to anything from a character, an ideology, or even a quote. The effect is so strong that even a small sentence is enough to trigger certain feelings in your brain.

Schizophrenic ‘Top Five’ is Evolution for Chris Rock

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Chris Rock wants you to take him seriously, so he has made a comedy with inconsistent laughs, and a nod towards the weird fishbowl lives that today’s celebrities endure. It’s a rare film where the last part is stronger than the first few acts, a mishmash that is “Top Five.”

‘Grown Ups 2’ is the Worst Comedy Since 2010’s Loathed ‘Grown Ups’

HollywoodChicago.com Oscarman rating: 0.0/5.0
Rating: 0.0/5.0

CHICAGO – There’s a time and a place where overacting is acceptable – musicals, children’s plays, Broadway – but there’s nothing worse than using it all the time in every wrong place.

Julie Delpy, Chris Rock in Sweet ‘2 Days in New York’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Julie Delpy’s “2 Days in New York” is an amenable screwball comedy with some jokes that definitely fall flat and some awkward emotional beats in the final act but a likable tone that allows for easy passage over the screenwriting rough spots. Ms. Delpy is still charming and co-star Chris Rock is more effective here than he typically is in film. It’s just a likable little movie without pretension to be anything more.

Sweet, Enjoyable ‘Madagascar 3: Europe’s Most Wanted’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It’s incredibly rare to be able to say this – the third installment in a hit animated franchise could arguably be the best. “Madagascar 3: Europe’s Most Wanted” is certainly more fun, clever, and enjoyable than the last film in this series and probably holds its own against the original.

Boredom Awaits During ‘What to Expect When You’re Expecting’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Battleship” is getting a lot of flack this week for having little to do with its alleged source. I would argue that the awful “What to Expect When You’re Expecting” is even more dishonest when it comes to its inspiration. Working from an instructional book that’s designed to prepare adults for impending parenthood, the film that steals its title turns truth into cliché.

Adam Sandler, Kevin James Act Like Children in ‘Grown Ups’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – It may be called “Grown Ups,” but too much of the new Adam Sandler ensemble comedy feels like it was written by an eight-year-old boy. The believable friendship chemistry that Sandler has with co-stars Kevin James, Chris Rock, David Spade, and Rob Schneider significantly ups the entertainment value, but “Grown Ups” could have and should have been much better.

Chris Rock, Martin Lawrence Are Stiff in Tepid ‘Death at a Funeral’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – When some of the funniest comedians in the business – Chris Rock, Martin Lawrence, Tracy Morgan – can’t deliver a absurdist comedy about family secrets, then there truly is “Death at a Funeral.”

‘Good Hair’ Has Chris Rock Getting to the Roots of Follicle Follies

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Positioning himself as a informational bridge-builder, comedian Chris Rock explores the often complex social economics of African American hair, specifically the intense styling that is a borderline obsession for women of color.

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