Clémence Poésy

Armie Hammer Sits for Geoffrey Rush in ‘Final Portrait’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Paris in the 1960s seems to be a place where anything was possible. “Final Portrait” is an indication of this, as Armie Hammer portrays a Mad Men style American critic (what!) in 1964, who sits for a portrait painting by eccentric artist Alberto Giacometti, portrayed with relish by Geoffrey Rush.

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