CHICAGO – Love is a powerful enough force to transcend any obstacle that you may put in its path.
Geoffrey Rush
Armie Hammer Sits for Geoffrey Rush in ‘Final Portrait’
Submitted by PatrickMcD on April 2, 2018 - 8:06am Rating: 3.5/5.0 |
CHICAGO – Paris in the 1960s seems to be a place where anything was possible. “Final Portrait” is an indication of this, as Armie Hammer portrays a Mad Men style American critic (what!) in 1964, who sits for a portrait painting by eccentric artist Alberto Giacometti, portrayed with relish by Geoffrey Rush.
Johnny Depp Stays Afloat in ‘Pirates of the Caribbean: Dead Men Tell No Tales’
Submitted by PatrickMcD on May 26, 2017 - 3:10pmRating: 3.5/5.0 |
CHICAGO – The “Pirates Of The Caribbean” series has undergone a strange transformation over five films. The first film was better than any movie “based on a theme park ride” then it had any business being. But now in its fifth film voyage, “Dead Men Tell No Tales” bears a closer resemblance to the ride now more that ever.
Nothing of Substance in Cute, Fluffy ‘Minions’
Submitted by PatrickMcD on July 9, 2015 - 8:24pm Rating: 3.0/5.0 |
CHICAGO – They’re cute, they talk like babies, and they already have “brand recognition.” In what feels like a product exercise rather than a movie, “Minions” extends its story from the dawn of time to 1968. Did we need that much back story? The voices of Sandra Bullock and Jon Hamm star.
Johnny Depp in Entertaining ‘Pirates of the Caribbean: On Stranger Tides’
Submitted by PatrickMcD on May 19, 2011 - 1:24pmRating: 3.5/5.0 |
CHICAGO – It’s easy to remember that the Pirates of the Caribbean movie series is on its fourth formulaic film, but harder to remember that it’s based on a freaking amusement park ride! Director Rob Marshall livens it up with “Pirates of the Caribbean: On Stranger Tides.”
Colin Firth, Geoffrey Rush Star in Confident ‘The King’s Speech’
Submitted by BrianTT on December 17, 2010 - 9:08amRating: 3.5/5.0 |
CHICAGO – Tom Hooper’s “The King’s Speech” has been barreling through the awards season with a number of significant nominations, including six from the Chicago Film Critics Association just today. I understand why. The film does nothing wrong. It features confident production values and good performances but never reaches the peak of excellence for this critic. “The King’s Speech” is a good film that’s been inflated by some viewers to great even if it doesn’t quite deserve the throne.
