CHICAGO – In the last several years, how many times have you wanted to shout the “Mad as Hell” movie quote? Well, Invictus Theatre Co. has produced a stage adaptation of “Network” – with that quote shout worthy – at the Windy City Playhouse in Chicago through September 29th. For tickets/details, click HOWARD BEALE.
Jessica Biel
Awful ‘Playing for Keeps’ Wastes Talent of Notable Cast
Submitted by PatrickMcD on December 7, 2012 - 5:41pmRating: 1.5/5.0 |
CHICAGO – When will the movie universe stop lionizing the upper middle class and their “problems” as a standard for storytelling? The idiotic crawl of “Playing for Keeps” is a prime example of that style, a sad exercise in contradictions that pass for narrative. Gerard Butler, Jessica Biel, Dennis Quaid and Catherine Zeta-Jones get punked by the script.
‘Hitchcock’ at its Heart is a Relationship Film
Submitted by PatrickMcD on November 21, 2012 - 7:01pmRating: 3.5/5.0 |
CHICAGO – The great director Alfred Hitchcock had morphed to legend rather than a man, so it’s interesting that two films have recently been released about his all-too-human foibles. The feature film, starring Sir Anthony Hopkins as the director, gets inside the man’s relationships in “Hitchcock.”
‘Total Recall’ Remake Should Be Wiped From Your Memory
Submitted by BrianTT on August 3, 2012 - 9:23amRating: 1.5/5.0 |
CHICAGO – Paul Verhoeven’s “Total Recall” has been run through a machine and turned into a personality-less, numbing exercise in CGI action with a complete lack of any characters worth giving a damn about and a totally wasted opportunity at social commentary. Sure, seeing Jessica Biel fight Kate Beckinsale while Colin Farrell punches a robot in a speeding space elevator has something inherent that appeals to the 12-year-old boy in me but that doesn’t make it filmmaking. No, filmmaking and Len Wiseman are two things that don’t really go together.
Plan Comes Together For Entertaining Action of ‘The A-Team’
Submitted by BrianTT on June 11, 2010 - 10:31amRating: 3.5/5.0 |
CHICAGO – “Overkill is underrated.” So says Col. Hannibal Smith (Liam Neeson) near the end of Joe Carnahan’s “The A-Team” and it clearly was the operating principle for not just the characters but the entire production. With its tongue firmly in its steroid-induced cheek, “The A-Team” is not designed to break any rules or change the action world, merely to offer summer entertainment for two hours and it does precisely that.