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Paddy Considine

HollywoodChicago.com is On the Air with ‘The Half of Us’ & ‘How to Build a Girl’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on May 5th, 2020, discussing new releases “The Half of It” and “How to Build a Girl.”

Farcical Themes Bring Laughs to ‘The World’s End’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In the collaboration of actors Simon Pegg, Nick Frost and director Edgar Wright, the best in life come in threes. Following their sublime “Shaun of the Dead” and the wacky “Hot Fuzz,” comes ther third comic film rendering, “The World’s End.”

Paddy Considine’s ‘Tyrannosaur’ Packs a Gut-Wrenching Punch

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – She first finds him hiding behind a rack of clothes in her small charity shop. He’s the sort of a battered soul that her Christian instincts naturally desire to protect. The way he crouches on the floor and snarls at her causes him to resemble a threatening animal, but the calming prayer that she recites quickly reduces him to tears. Even before their eyes have had the chance to meet, a vital connection has been made between the two strangers.

Quirky ‘Submarine’ Balances Wit With Emotion in Clever Way

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Richard Ayoade’s debut comedy “Submarine” has such an incredibly strong first half that it almost makes the relative disappointment of the second half even more disappointing by comparison. A super-smart ending saves the piece from going out on the wrong note completely and the overall piece bodes well for whatever this talented director does next.

‘Red Riding Trilogy’ Simultaneously Captivates, Infuriates

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Much ink has been spilled about how HBO is at the forefront of made-for-TV filmmaking in the world, a fact already demonstrated this year by the brilliant biopic “Temple Grandin” and the stellar WWII mini-series, “The Pacific.”

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