Michelle Pfeiffer

Rating: 3.5/5.0

CHICAGO – Gag writers, it’s time to head to Marvel Studios. Apparently the direction their superhero franchises are going for is laughs. “Ant-Man and the Wasp” is a prime example… the second film in the “Ant-Man” series amps up the humor, priming a hero that can go super small or massive. Go ask Alice, I think she’ll know.

Rating: 2.5/5.0

CHICAGO – “Murder On The Orient Express” is a movie that is never quite as interesting as the main character’s mustache. Kenneth Branagh directs and stars as Agatha Christie’s most famous detective, Hercule Poirot. While it is a departure from the source novel, Branagh sports silver streak facial hair of audacious eccentricity.

CHICAGO – Cada semana, HollywoodChicago.com le traerá las criticas de las películas que hemos visto y que están saliendo esa semana, pero en español. HollywoodChicago.com ESP no sólo representa HollywoodChicago.com Espanol, sino también Esta Semana en Peliculas. Esta semana, vamos a una misión de venganza y terminamos salvando el mundo (“American Assassin”), luego nos vamos de viaje a visitar algunas universidades mientras tenemos un colapso mental (“Brad’s Status”), y luego nos transportan a una casa que significa mucho más de lo que parece (“mother!”).

Rating: 4.5/5.0

CHICAGO – In a film that is unsettlingly and regally composed with deep purpose and symbolism, “mother!” fulfills the nature of what it proposes to communicate within layers of essentially rendered storytelling and cinematic perspective. It can potentially change your overall point of view.

Rating: 1.5/5.0

CHICAGO – “The Godfather” saga, “Goodfellas,” “Donnie Brasco,” “The Departed” – the list of America’s obsessive adoration of organized crime and mafia movies goes on and on. Finally, one film comes along to virtually kill the genre, the almost-unwatchable “The Family.”

Rating: 3.0/5.0

CHICAGO – “People Like Us” is an old-fashioned tearjerker with everything that phrase implies. It’s undeniably manipulative and sentimental but it’s also somewhat refreshing to see a drama that isn’t laced with irony, cynicism, or some form of postmodern commentary on the genre. “People Like Us” is a film that wants you to be moved; it wants you to cry; it wants you to feel something.

Rating: 2.5/5.0

CHICAGO – Tim Burton’s “Dark Shadows” is one of the most inconsistent and frustrating major films in a long time. There are elements here and there that work but Burton and writer Seth Grahame-Smith seem incapable of figuring out how to wrangle them into a coherent, successful film.

Rating: 1.0/5.0

CHICAGO – “New Year’s Eve” is so garish and manipulative that it doesn’t really qualify as a film – it’s a product, no more an actual movie than a Hallmark card is a piece of poetry. It is corporate junk at its worst, so shallow that it’s almost remarkably thin, as if director Garry Marshall were trying to win a contest for lack of subtlety.

Rating: 3.0/5.0

CHICAGO – While it’d be embellishment to say you’d have the time of your life at the new musical film “Mamma Mia!,” any dancing queen or an admirer of seeing Pierce Brosnan croon a tune instead of trigger James Bond destruction can at least have some of the time of your 108 minutes.