Magnolia Pictures

Podtalk: Chicago Icon Bruce DuMont on ‘Mike Wallace is Here’

CHICAGO – This week, the new documentary “Mike Wallace is Here” will release in Chicago, so who better to get a perspective on the CBS News and “60 Minutes” interviewer and reporter than Bruce DuMont, a Chicago broadcasting icon who has covered the scene since the late 1960s.

Podtalk: Doc Director Penny Lane on Her New Film ‘Hail Satan?’

Hail Satan?

CHICAGO – Religion, and the separation of those institutions from the “state,” is an ongoing controversy in the United States. One such religious group may have found the ultimate solution to keep that separation in place. The Satanic Temple is an anarchist religion whose goal is to get a place at the table with the other holy influencers. They are profiled in director Penny Lane’s new film, “Hail Satan?”

Podtalk: Alison Klayman on ‘The Brink,’ Her New Documentary Profiling Steve Bannon

Brink, The

CHICAGO – What does the title of Alison Klayman’s new documentary, “The Brink,” mean? On the surface, it is a fly-on-the-wall profile of right wing operative Steve Bannon, who worked for Donald Trump’s campaign in 2016 and was on his executive staff at the White House, until he unceremoniously resigned.

Oscar Week: Directors Betsy West & Julie Cohen on Their Nominated Documentary ‘RBG’

RBG Ruth Bader Ginsburg

CHICAGO – Supreme Court Justice Ruth Bader Ginsburg, the notorious “RBG,” has been a steady and abiding voice on that high court since 1993. But how much do we really know about this unassuming and highly admired jurist? Co-directors Betsy West and Julie Cohen answer this question in their documentary “RBG.” The film is one of five nominees competing for gold in the Feature Documentary category, to be given on Sunday at the 91st Academy Awards.

Film Review: ‘Generation Wealth’ Tells Us What We Already Know

CHICAGO – When it comes to really being rich, what do we already know? Money doesn’t buy happiness. Family and friendship connections are more important than accumulation. Yet those simple lessons keep being broken up by the excess of more, the values of which are in the documentary “Generation Wealth.”

Podtalk: Co-Directors David & Nathan Zellner Rescues the Western in ‘Damsel’

Damsel

CHICAGO – The familiar archetypes of the Hollywood Western… the dusty town, the swinging saloon doors and the cowboys looking the part… are all present and accounted for in “Damsel,” written and directed by David and Nathan Zellner (“Kumiko, the Treasure Hunter”). The twist comes in the action of the characters, portrayed by Robert Pattinson (“Twilight”), Mia Wasikowska (“Alice in Wonderland”) and the Zellners themselves.

Film Review: A Fashionable Life in ‘The Gospel According to André’

Gospel According to Andre, The

CHICAGO – He’s not a household name, but his influence has affected the closets of those households. André Leon Talley (“ALT”) is a New York City fashionista of the highest order, despite a background that would never predict that fate. But a person in the right place at the right time with the right work ethic can product magical results, and “The Gospel According to André” conjures that journey for Talley.

Interview: Betsy West & Julie Cohen on Their Documentary ‘RBG’

CHICAGO – Supreme Court Justice Ruth Bader Ginsburg, the notorious “RBG,” has been a steady and abiding voice on that high court since 1993. But how much do we really know about this unassuming and highly admired jurist? Co-directors Betsy West and Julie Cohen answer this question in their documentary “RBG.”

Film Review: Inflammatory ‘In the Fade’ is the State of Our Now

CHICAGO – In one of the more truthful and contemporary films of 2017, “In the Fade” is a German/French production about the fallout due to a terrorist act. What it also emphasizes is the generated hatred, frustration and waste of such acts, and its textual story is stunning and distressing.

Film Review: Art & Real World Taken to Task in Angular ‘The Square’

Square, The

CHICAGO – Recently, the record for highest bid ever on a work of art was shattered – $450 million for Leonardo da Vinci’s ‘Salvador Mundi’ – and the ownership of a canvas, for the price of supporting a small country, calls into question the meaning of art and collecting. All of this, and everything more, is generated in the cinematic rendering of “The Square.”

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