Science Fiction

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on January 15th, 2020, reviewing the new film “Outside the Wire,” streaming on Netflix beginning January 15th, 2021.

CHICAGO – The concept of “family” has been romanticized to death in the movies in the last generation, coinciding with the increasing decline of actual togetherness. The new film “Kin” is essentially about family, but it also is about otherworldly weaponry, gritty crime lords and the old on-the-road story.

CHICAGO – The tagline for the new film “Kin” is “No force is stronger than family,” and who would know that better than a couple of twin brother filmmakers. Josh and Jonathan Baker make their feature film debut with this gritty sci-fi action picture, and create a new direction and style for the genre.

CHICAGO – Alex Garland, the standout creator/director of “Ex Machina,” is back with “Annihilation,” another science fiction story. And like the previous film, it explores implications of a sci-fi event, in this case an outer space incident that restructures a cellular code, that ends up destructive.

CHICAGO – “Downsizing” is an interesting premise that doesn’t ultimately go anywhere interesting. Part of the problem is that writer/director Alexander Payne doesn’t seem to know what kind of a movie he wants it to be… it’s part cerebral Woody Allen futuristic comedy, part sci-fi social satire about Midwestern malaise, and winds up failing at both.

CHICAGO – The science fiction that we once knew, that we thought was impossible, is fast becoming everyday life. One short film that premiered at the 53rd Chicago International Film Festival – “The Replacement” – takes the concept of cloning, applying a chilling and symbolic twist to a science fiction that can also be interpreted in our current times as reality. “The Replacement” screens one more time as part of the “City & State” slate of shorts on Wednesday, October 25th, 2017 (details below).

CHICAGO – Combining the invasion elements of “Alien” with the life-raft-in-space morbidity of “Gravity,” the new film “Life” maintains a grip from the enlightened beginning to the twisted end. Mars is the origin, so the film joins “The Martian” and “The Space Between Us” in sourcing the red planet.

CHICAGO – The use of science fiction for all kind of stories is one of the hottest go-to genres for Hollywood today. “Passengers” is a love story, and adds the visual glory of modern special effects…but the soapy tale of a star-crossed (literally) couple is problematic and cliché ridden, and breaks at the end with heroics that are shoehorned into the rest of the scenario.

CHICAGO – Director Rujanee Mahakanjana has created some atypical and artistic statements in her film career. Her studio Nebula Creatives represents that work, which includes the short films “Random Seating” and “Out of Sight,” and feature films “Man and His Erections” and “Parallel Universe.” She is taking a different route to her next film, “Lab 99,” with a creative process that utilizes the comic book format.

CHICAGO – The film genre of aliens from other planets is as old as the movies. But it hasn’t been told as boldly and humanely as the new film “Arrival.” Its theme is communication, and how this interaction relates to the concept of the life cycle. Yes, it’s lofty, but it is also edge-of-the-seat engaging.