CHICAGO – The Steppenwolf Theatre of Chicago continues to provide different viewpoints on the American stage, and their latest “Little Bear Ridge Road” is no exception. Featuring ensemble member Laurie Metcalf, it’s the resonate story of a family at the crossroads. For tickets/details, click LITTLE BEAR.
Gary Dauberman
HollywoodChicago.com ESP, En Español: 'It Chapter Two' y 'Official Secrets'
Submitted by JonHC on September 6, 2019 - 8:33pm- andy muschietti
- Bill Hader
- En Español
- Esta Semana en Peliculas
- Gary Dauberman
- Gavin Hood
- Hollywood Chicago en español
- HollywoodChicago ESP
- HollywoodChicago.com
- HollywoodChicago.com Content
- It Chapter Two
- James McAvoy
- Jessica Chastain
- Jon Espino
- Kiera Knightley
- Movie Review
- Official Secrets
- Stephen King
CHICAGO – Cada semana, HollywoodChicago.com le traerá las criticas de las películas que hemos visto y que están saliendo esa semana, pero en español. HollywoodChicago.com ESP no sólo representa HollywoodChicago.com Espanol, sino también Esta Semana en Peliculas.
"Chapter 2" Lacks crucial "IT" factor
Submitted by JonHC on September 6, 2019 - 5:14pm- Andy Bean
- andy muschietti
- Bill Hader
- Bill Skarsgard
- Chosen Jacobs
- Finn Wolfhard
- Gary Dauberman
- HollywoodChicago.com Content
- Isaiah Mustafa
- Jack Dylan Grazer
- Jaeden Martell
- James McAvoy
- James Ransone
- Jay Ray
- Jeremy Ray Taylor
- Jessica Chastain
- Movie Review
- Sophia Lillis
- Spike Walters
- Stephen King
- Warner Bros
- Wyatt Oleff
 Rating: 2.5/5.0 |
CHICAGO – “It Chapter 2” has some of the same problems as its source material, and the previous adaptation of the Stephen King spine-tingler. It has a great beginning, but the ensuing story never tops or reaches the same level as that first scene. So in Chapter 2’s slog on to an ultimately unsatisfying ending, we are witnessing a yarn literally unraveling before our very eyes.
Horror is Worth a Visit in 'Annabelle Comes Home'
Submitted by JonHC on June 26, 2019 - 6:48am Rating: 3.0/5.0 |
CHICAGO – There is such an unnerving quality to older dolls, which is why they lend themselves so perfectly to horror stories. There’s just an unsettling feeling when looking at their static expression, usually plastered with a permanent smile that gives me terrible flashbacks to when I worked retail. Oddly enough, “Annabelle Comes Home” similarly elicits familiar feelings of terror but channels it through an 80’s horror homage.
