CHICAGO – Patrick McDonald of HollywoodChicago.com audio review for the streaming series “Emily in Paris” the adventures of Emily Cooper and her fanciful/fashionable Paris friends and lovers, now in its fourth season. Episodes 1-5 currently on Netflix.
Jesse Plemons
Yorgos Lanthimos’ ‘Kinds of Kindness’ Distinctly Unsettling
Submitted by PatrickMcD on June 28, 2024 - 7:52am Rating: 3.0/5.0 |
CHICAGO – Distinctive visions are in such short supply in Hollywood these days I suppose we should be grateful when one makes it onto our movie screens. Director Yorgos Lanthimos is nothing if not distinctive, but his films are by no means easy to watch. His latest film “Kinds Of Kindness” consists of three short stories of power and cruelty.
Days of Future’s Past! On-Air Film Review of ‘Civil War’
Submitted by PatrickMcD on April 11, 2024 - 9:16am Rating: 4.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on April 10th, 2024, reviewing “Civil War,” a new film by writer/director Alex Garland (“28 Days Later,” “Ex Machina”). In theaters on April 12th.
Manifest Infamy! On-Air Review of ‘Killers of the Flower Moon’
Submitted by PatrickMcD on October 19, 2023 - 11:52pmRating: 4.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on October 19th, 2023, reviewing “Killers of the Flower Moon,” the 26th feature film directed by Martin Scorsese and featuring Leonardo DiCaprio. In theaters on October 20th, 2023.
West is One! On-Air Review of ‘The Power of the Dog’
Submitted by PatrickMcD on November 20, 2021 - 2:20pmRating: 4.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on November 18th, 2021, reviewing the new film adapted and directed by Jane Campion, “The Power of the Dog” in select theaters, before streaming on Netflix December 1st.
Mystery Trip! On-Air Review of ‘Jungle Cruise’
Submitted by PatrickMcD on July 29, 2021 - 7:39pm Rating: 3.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Scott Thompson on WBGR-FM (Monroe, Wisconsin) on July 29th, 2021, reviewing the new film “Jungle Cruise.” In theaters and streaming on Disney+ Premier Access beginning July 30th.
Tom Cruise in ‘American Made’ Never Gets Off the Ground
Submitted by PatrickMcD on September 29, 2017 - 10:24am Rating: 2.0/5.0 |
CHICAGO – Tom Cruise was once a Top Gun, but his newest film “American Made” never really takes off. It wants to be a truth-is-stranger-than-fiction kind of satire where commercial airline pilot Barry Seal (Tom Cruise) winds up getting involved in the Iran Contra Affair and the Medellín drug cartel, but it never creates an enthralling place or story.
Johnny Depp is Ghoulish in Mob Saga ‘Black Mass’
Submitted by PatrickMcD on September 17, 2015 - 4:51pm Rating: 4.0/5.0 |
CHICAGO – “Black Mass” is a well crafted, if somewhat conventional crime tale. It won’t win any awards, but it’s entertaining enough. The story of real life Boston crime boss “Whitey” Bulger has no shortage of juicy details, and while the saga of this mob boss slash FBI turncoat falls short of greatness, Johnny Depp turns him into an otherworldly presence.
Meandering ‘The Master’ Serves Up Powerful After Effects
Submitted by PatrickMcD on September 20, 2012 - 5:20pmRating: 4.0/5.0 |
CHICAGO – ‘The Master’ is the type of film that invites days of contemplation. It is a film about America, but only a certain type of American. It is a film about the need to belong, but in the end it separates all its characters away from each other. Lead actors Philip Seymour Hoffman and Joaquin Phoenix radicalize writer/director P.T. Anderson’s strange alchemy.
Stunning Ambition Drives P.T. Anderson’s ‘The Master’
Submitted by BrianTT on August 20, 2012 - 10:50am Rating: 5.0/5.0 |
CHICAGO – Paul Thomas Anderson’s “The Master” screened publicly last week in Chicago for only the second time in the world. It was shown in glorious 70mm, the format in which the film was shot, but in which most people will never get the chance to see it. While much of the conversation surrounding the screening seemed to hinge around the technical specifications, the increasing dearth of actual film projectors in the city, or the aspects of the plot related to Scientology, those aren’t the elements of the film that have been rolling around my head for the last four days.
