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Film Review: ‘The Sense of an Ending’ Ponders a Vague Mystery

Sense of an Ending, The

CHICAGO – “The Sense of an Ending” is a highfalutin title, automatically putting most folks into book club mode. It is adapted from a novel, and the narrative has the same page turning-type rhythm. An old man, portrayed by Jim Broadbent, is encountering his past, while his current situation remains untenable.

Film Review: ‘The Shack’ is About Spirituality, Not Filmmaking

CHICAGO – To create spirituality from tragedy is like shooting the proverbial fish – a prominent symbol for Christianity – in a barrel. “The Shack” is based on a popular novel, and doesn’t try to do anything different or cinematic with a man encountering the Holy Trinity after a horrific incident.

Film Review: ‘Nocturnal Animals’ Takes Two Stories to New Levels

CHICAGO – Reality and fantasy have separate rules, and in fantasy there are no rules. This is the philosophy of “Nocturnal Animals,” a wild character study that exists on the reality/fantasy planes. And it has the bonus of the Amy Adams/Isla Fisher mix-up and Jake Gyllenhaal at his Gyllenhaal-iest.

Interview: Director Hannes Holm Meets ‘A Man Called Ove’

CHICAGO – In 2012, Fredrik Backman released his Swedish novel called “En man som heter Ove.” It was published in English in 2013, and became a best seller. The book that delved into the life of a cranky old man is now a major Swedish movie, distributed in the U.S. by Chicago’s Music Box Films, and directed by Hannes Holm.

Film Review: ‘Third Person’ an Intriguing Yet Foreseeable Labyrinth

Third Person

CHICAGO – Don’t you hate it when you figure out where a film is going long before it gets there? That could be a problem with “Third Person,” but writer/director Paul Haggis (“Crash”) also adds enough secrets to chew on and enough multiple pathways to explore. Enter at your own risk.

Interview: Writer/Director Paul Haggis Creates ‘Third Person’

CHICAGO – Not many Oscar winning screeenwriters change the course of their professional lives because of a dream (story below), but Paul Haggis is an exceptionally brilliant writer whose credits include “Crash” (2005) and “Million Dollar Baby” (2004) – which both won Best Picture – and his new film, “Third Person.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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