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Asa Butterfield

‘The Space Between Us’ Falls Into a Black Hole & Dies

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – You know you’re in trouble when the opening scene of a film inspires forehead slapping levels of incredulity. And that’s just the beginning of what I felt while watching “The Space Between Us,” another entry in the long line of would-be weepies about young lovers torn apart, usually by class or disease. The film desperately wants to be a millennial love story for a generation, and has plenty of faults but precious few stars in its tale of literal star-crossed lovers.

‘Ender’s Game’ Loses Personality in Journey From Book to Film

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Gavin Hood’s “Ender’s Game” may be the best example of a current problem with science fiction: From “Oblivion” to “After Earth” to most of “Star Trek Into Darkness” and now this adaptation of the Orson Scott Card book, modern science fiction has become so depressingly sterile as to drain the genre of most of its joy.

Gorgeous ‘Hugo’ Plays Like Cinematic Snow Globe

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Martin Scorsese’s “Hugo” is a deeply personal piece, a magical tale about imagination and the importance of film preservation presented with some of the most technical expertise in years. It is also a strikingly cold film, an adventure that doesn’t contain the whimsy, pace, or charm that it really needed to in order to connect emotionally as well as intellectually.

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  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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